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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • All That Is by James Salter June 10, 2013
    Salter has been described as a master of sentences, but what might be more accurate is his mastery of word choice and metaphor. His sentences aren’t the sinuous architectural behemoths of James or William H. Gass. Many are terse, quick jabs: “The kiss was light and ardent,” or, describing a writer’s opulent house, “It was like a small family hotel, a hotel i […]
  • Birds of the Air by David Yezzi June 10, 2013
    Yezzi’s poems often hint at oblique narratives. Like a detective, he asks a lot of questions. He’s like a mathematician working an inverse problem, deducing inner dramas from externals. His spirit, however, is sympathetic, not forensic. A friend used to say when someone started complaining about another’s failing, “Be gentle. He’s just a human.” Yezzi’s poem […]
  • The Films of Sangsoo Hong June 10, 2013
    Say you watch Korean movies. Often, outside the peninsula itself, this means you’ve gotten into the murderous grotesquerie of Chan-wook Park’s “Vengeance Trilogy,” or Joon-ho Bong’s simultaneously goofy and solemn political allegory of a monster mash The Host, or any amount of Ki-duk Kim’s vast, high-profile (and as some fans admit, uneven) output. But menti […]
  • The Iraqi Christ by Hassan Blasim June 10, 2013
    The Iraqi Christ is topical only in the sense of the earliest known newsflashes: the cracked screeds, battlefield reports, and shipwreck stories by the likes of Archilochus, for instance, which remain with us in the form of fragments. These were news before they were ever classical references—indigestible gobbets of event, borne on and on by the flow of tell […]
  • Summer in Baden-Baden by Leonid Tsypkin June 10, 2013
    Leonard Tsypkin's short and frenetic Summer in Baden-Baden is a meditation on the morphic and self-defining nature of memory. Tsypkin portrays the sometimes charming but mostly distressing European travels of Fyodor (Fedya) Dostoyevsky and his second wife, Anna Grigor’yevna, and their descent into a woeful situation brought about by the famous author’s […]
  • Silent House by Orhan Pamuk June 10, 2013
    Faulkner’s literary spirit haunts the dusty, cobweb-covered rooms in Pamuk’s eponymous silent house. When the wind blows through the chinks in the masonry, we can even hear the skeletons of the Bundrens', Compsons', Snopes', and Sartoris’ Turkish cousins rattling in the Darvinoğlu’s closets in their decrepit ancestral villa. Cennethisar, once […]
  • A Map of Tulsa by Benjamin Lytal June 10, 2013
    “Tulsa is heaven, Tulsa is Italy,” says Chandler on Friends to a boss who has just assigned him to their office there. “Please don’t make me go there.” Lytal, an Oklahoman talking to New Yorkers like a person in Prague persuading tourists to pay top dollar for cheap pilsner, does little to elaborate upon this vision of his native city. Jim recalls “[t]he day […]
  • Advice from 1 Disciple of Marx to 1 Heidegger Fanatic by Mario Santiago Papasquiaro June 10, 2013
    Mario Santiago Papasquiaro was no stranger to this kind of manifesto, and his announced the coming of the Infrarealists. “The way in to matter,” they proclaim, “is ultimately the way in to adventure: the poem is a journey and the poet is a hero revealing heroes.” And so, in Papasquiaro’s long poem, “Advice From 1 Disciple of Marx to 1 Heidegger Fanatic,” we […]
  • A Brief History of Yes by Micheline Aharonian Marcom June 10, 2013
    Marcom’s new novel, A Brief History of Yes, is less overtly transgressive than its predecessor—less centered on sex than on solitude; on the loneliness left after love is over. Previously, Marcom scaled the peak of what two people can do together, whereas now she digs into what drives them apart. So if Mirror expressed ecstasy, Yes explores ecstasy’s ebbing. […]
  • What Comes Next June 10, 2013
    If you were to ask me what comes next, the best answer is that I do not know. But if I try to reason through the question, I tend to divide the problem into parts. On the one hand, one of these parts, the personal facet, is what’s to come after my present literature. Or, rather, what will I be writing, what will the next books be like, or even more important […]

DFW Interview

The NYR Blog has just run a truncated version of a 2006 interview between David Foster Wallace and Ostap Karmodi (full interview on Karmodi’s blog).

It’s kind of interesting to compare the two versions being offered. In the NYR edit, A lot of the answers on Wallace’s side sound like standard cut-and-paste items from the Wallace toolkit (but there are a few interesting remarks). But if you look at the full interview (admittedly, very long) there’s a whole lot of ambiguity and texture that’s really quite interesting.

Anyway, since this is a literature blog, a quote from Wallace on novels after Infinite Jest:

OK: You wrote Infinite Jest ten years ago, and after that you didn’t write any other novels, just essays and stories. Do you feel it’s over for you with big novels? Is it more interesting for you to write stories now?

DFW: There are writers in America who consider themselves only novelists. I do all kinds of different things. I will probably at some point finish a novel. Whether it will be good enough to publish, I don’t know. I tend to start three or four things for every one thing that gets finished. I was trained mainly as a short story writer and that’s how I started writing, but I’ve also become very interested in non-fiction, just because I got a couple of magazine jobs when I was really poor and needed the money and it turned out that non-fiction was much more interesting than I thought it was. So I am, as American writers go, very eclectic. I haven’t made any decisions about one kind of genre or another. I love to read poetry but I will probably never write it because I just have no talent for it. But other then that I probably want to try everything.

OK: But now you just don’t feel like writing another novel?

DFW: Well, you make it sound like writing a novel is a matter of sitting down for an afternoon. I have for the past five or six years at times made starts on things. I don’t really understand the term “novel,” but I guess anything over about 150 pages is a novel. I’ve done a couple of longer things, I just don’t like them very much right now and I don’t know whether I will rewrite them. I don’t really need the money. My wife and I live very simply. I’m sure I will write more novels; I don’t know whether I will publish them or not. A lot of stuff that I write just goes in a big box in my office and no one else ever sees them.

Also see the current issue of The Quarterly Conversation for our seven-article retrospective on Wallace’s career.

You Might Also Like:

More from Conversational Reading:

  1. Infinite Summer There's a website dedicated to reading Infinite Jest this summer. Lots of interesting material (e.g. How to Read Infinite Jest) I, of course, am a...
  2. DFW's Insecure Style The two main characters in Infinite Jest seem to be modeled after one another, as though they have the same essential qualities, but are just...
  3. Contra Infinite Summer Valve bloger Scott Eric Kaufman offers what must be among the dumber reasons for not reading Infinite Jest: Am I alone in finding the whole...
  4. A Rare DFW Interview So what’d he say to Bonnie Nadell that got him access to DFW? ...
  5. Friday Column: DFW, Reissued Alert: This is Barrett posting, not Scott. The following embarrassments are completely my own. The word on the street is that David Foster Wallace’s mega-novel...

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