The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


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    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
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  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
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  • Theories of Forgetting by Lance Olsen September 15, 2014
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  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Do You Value the NYT More Than the HuffPo?

I don’t want to get too deeply into this issue, but since I’ve been covering the NYT’s paywall and digital media generally, I thought this was worth discussing.

Remember those sweet ’90s when any high school dropout with a website could pull a few million in start-up investment? Well, true, things aren’t quite as crazy now as they were then, but things like AOL’s purchase of the HuffPo do make me scratch my head (AOL-Time Warner Pt II, anyone?).

This, for instance, is why:

About 35% of the HuffPo’s users come form Google. They land on cleverly optimized content: stories borrowed from other (and consenting) medias that mostly generate blogging and comments. This is the machine that drove 28m unique visitors in January, which makes the HuffPo close to the New York Times/Herald Tribune audience of 30m UV. With one key difference: each viewer of the NYT websites yields an ARPU of $11, ten times more than the Arianna thing. Based on the HuffPo’s valuation, the NYT Digital would be worth billions.

The Times, in fact, is not worth billions; or, at least, they’re not getting nearly that revenue from their web presence. (As an aside, all valuations of websites at this point in history are, to not put too fine a point on it, horeshit. There are revenue models out there that no one has yet invented, and others will be dead in 5 years. This stuff is all still very young, inchoate, and hazy.)

In my opinion, the Times has a much more legit business model–creating first-rate journalism (and third-rate book reviews)–than the HuffPo’s which is one step above an eHow-esque content factory. (And see the above link for some fascinating tidbits behind the scenes of HuffPo.) I don’t doubt that there are genuinely worthwhile content strainers out there (yours truly attempts to do his humble part, along with some worthwhile original content), but what The Huffington Post does is more akin to a fire hose than a strainer. As users and search engines get more savvy, I don’t see this kind of business model sticking around.

Nor do I see it being a source of great revenue. The Times could make a legitimate case to charge for what it does–you can’t get what the Times does anywhere else. That’s not true for HuffPo. And I think the audience that the Times has built can be monetized in ways that HuffPo’s never will.

There’s a certain point when you go from taming the chaos to just being another part of the chaos, and HuffPo has passed that point. In fact, that’s its whole version of success. I’m not sure what AOL just bought, but at this point in history I’m not counting on AOL being a savvy player in the Internet game.

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3 comments to Do You Value the NYT More Than the HuffPo?

  • Wow – I didn’t realise their aggregation process was quite that easy i.e. “emails all ask the same thing: Would you consider placing this content on The Huffington Post? The front page editors work each day to separate the wheat from the chaff, and get the most timely and interesting stuff on the web.” Some of us search long and hard for good content to link to!

  • J

    With the sale of HuffPo to AOL recently, I think there’s a decent number of content providers who are turned off of continuing to submit. So, the “content factory” might take a hit. Then again, things move fast on the internet, and people swearing up and down they’re going to boycott something one day conveniently forget the next. Who knows.

  • Scott B

    I don’t think either are great money making ventures. I disagree that I can’t get what the Times offer anywhere else. There will always be news available for free on the internet and there will always be people willing to give their opinions on it. Good chance some of those people will be just as informative as whoever is writing for the Times. I can go to any number of forums and blogs and read/discuss whatever interests me. If there’s something truly important behind a pay wall, chances are someone on the internet has summarized it or used the knowledge within it as part of a discussion News paid for by anything other than advertizements will be nothing more than a niche industy.

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