Lady Chatterley’s Brother The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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Don DeLillo in The New Yorker
“Midnight in Dostoevsky”
Guessing this is an excerpt from Point Omega
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More from Conversational Reading: - New DeLillo Novel in Feb 2010 Via The Millions I see that one of the few American writers I still consider a must-read upon publication will be bringing out Point Omega...
- DeLillo Anyone? It’s no secret that Don DeLillo’s novels have continually been ahead of the curve. With the age of terrorism reaching some level of establishedness, Mao...
- DeLillo Goes All Night This University of Toledo newspaper coverage of an all-night student reading of White Noise leaves much to be desired, especially this part. 11:00 p.m. and...
- Bernhard in New Yorker Thomas Bernhard’s work is discussed in The New Yroker. Like Kafka, one of the writers he most admired, Bernhard composed nearly all his fiction from...
- New Yorker Lucky students at Virginia Commonwealth University can take a class patterned after The New Yorker magazine. I can just see Cultural Studies departments nationwide rushing...
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Apparently, it’s a short story. But it’s possible that can be a fragment from his new novel.