Lady Chatterley’s Brother

The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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See this page for interviews with leading authors, translators, publishers, and more.


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Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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    In Red is Tulli's most conventional novel—which is not to say it could finally be described as a conventional work of fiction. Still, to the extent it does offer individuated characters, some degree of plot "movement," and a strongly delineated setting, readers hesitant to commit to one of the novels that seems formidably experimental might fi […]
  • Show Up, Look Good by Mark Wisniewski December 5, 2011
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  • An Ermine in Czernopol by Gregor von Rezzori December 5, 2011
    Gregor von Rezzori’s fictitious city Czernopol exists at the edge of civilization, on the border of memory and invention, lying “somewhere in the godforsaken southeastern part of Europe.” In reality it is Czernowitz, in the region known as the Bukovina, ceded by the Ottoman Empire to the Austro-Hungarian Empire in 1775, then after World War I part of Romania […]
  • 1Q84 by Haruki Murakami December 4, 2011
    The publication of 1Q84, Haruki Murakami’s biggest, most ambitious novel to date, seems to have brought his career full-circle. This is not simply because the book has widely been posited as Murakami’s Brothers Karamazov—that is, an attempt to write a meganovel summing up his life’s writing—but even more because of the trajectory Murakami has taken as a writ […]
  • Ordinary Sun by Matthew Henriksen December 4, 2011
    Ordinary Sun at times feels like listening to confession in a parallel universe, a world with all the guts displayed on the outside, and the underworld on top. Make no mistake though: there is no otherworld. Henriksen’s world is this world. Who doesn’t recognize her own kind in lines like these, from “Corolla in the Midden”: “I do not dream. I just watch / f […]
  • Selected Poems by Jaan Kaplinski December 4, 2011
    Though sometimes referred to as a Modernist, Kaplinski’s poetry often has the feel of a classical, and older, poetics. The poems have a gravitas; they do not mock, toy, or play with the reader. They invite the reader to eavesdrop on the thoughts, remembrances, and philosophy of a person as they flicker and flow. This contemplative, philosophic strain is pres […]
  • Joseph Brodsky: A Literary Life by Lev Loseff December 4, 2011
    A martyr is not necessarily a saint, in any case, and those who knew him didn’t turn to him for saintliness. He was spellbinding, an electrical jolt for the psyche. An encounter with him, as a colleague or as a mentor, could be life-changing and endlessly rewarding. Warts and all, the real man carries far more interest than the photoshopped one Loseff gives […]
  • From Fiona and Ferdinand by Josef Haslinger December 4, 2011
    On the day of Bachmaier’s funeral there were two messages from my mother waiting for me on the answering machine. In the first one she asked me to call her back, in the second she said that the village was in an uproar: I was to come at once. Calls from my mother were rare. […]
  • Self-Portrait of an Other by Cees Nooteboom and Max Neumann December 4, 2011
    As hard as you look at it, Max Neumann’s paintings don’t reveal much about his method, but two recent English-language publications imply that he must enjoy collaborating with luminaries of world literature. AnimalInside, reviewed in The Quarterly Conversation's issue 25 by Christiane Craig, brought Neumann together with László Krasznahorkai, the presti […]
  • Learning to Pray in the Age of Technique by Gonçalo M. Tavares December 4, 2011
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Don't Really Care About Touch Screens or Color

So Amazon has unveiled a new Kindle that goes as low as $139. (Not exactly sure where the $139 one is on the site, but I’m sure if you want it you’ll find it.)

One thing to note is that, so far, Amazon is sticking to its guns vis a vis color and touch-screen:

That kind of price point could make Kindle attractive to the mass market consumer. But anyone hoping for a color display or touch screen will have to wait. Amazon said those features — which are central to the popular iPad — aren’t part of the new Kindle.

“Most books are black and white,” said Amazon vice president for Kindle Ian Freed, in an interview at Amazon’s new headquarters in Seattle’s South Lake Union. “What we’re focused on is making the reading experience better.”

I wonder how many readers out there are like me and don’t have much interest in a color/touch screen Kindle. The books I read are pretty much black and white, and those with color elements that I do purchase (e.g. art books) are of the type that are fairly pointless to buy as ebooks. As to the touch screen, I don’t see a whole lot of use for it beyond being able to swish your fingers over the screen and attempt to believe that you’re recreating the mechanical experience of turning the pages of a book.

At any rate, I’m one of those people who likes the idea of a dedicated ereader. Multitasking is overrated, and just because we can build a device that can play music and display books and wash your car all at once doesn’t mean we should.

Obviously this is a much different conversation if we’re talking magazines, in which case the iPad is clearly superior. But were not talking about magazines, and in any case the iPad price seems to be prohibitive if you are thinking of it as a magazine-reading platform. ($500 could buy me a whole lot of magazine subscriptions (I think that would keep me in Harper’s magazines more or less through the rest of my natural life), and I can already read those on my laptop, or even print them out or wait for the post office pony to bring me the print edition.)

One think I’ve noticed is that as I’ve made my way through the Kindle version of Our Mutual Friend I’ve actually found myself longing for the printed book. This seems to be directly related to my enjoyment of the book–the more I like something I’m reading, the more I want to interact with it as a book object while I read, and the more I’d like to place it on my shelves once I’ve finished it. There’s also a vague sort of collector angle . . . a writer such as Dickens, with a huge amount of prestige and an unassailable place in the literary canon, is someone I want to have on my bookshelves, to look at and for future reference. Having the electronic book just doesn’t give the same sensation of ownership.

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3 comments to Don't Really Care About Touch Screens or Color

  • p.t.smith

    Okay, now all I want is for my mail to be delivered by a post office pony. Thanks for that.

  • Travis

    Scott, when you mentioned Bleak House as an example of a summer reading project, I nearly recommended Our Mutual Friend as an alternative. I think it’s better, and will admit that I found it through the glowing recommendation of Italo Calvino. Regarding the new Kindle, this is the first one that actually caught my eye, and that I would consider purchasing. The lack of color, though, definitely annoys me. I notice that one of the free classic novel downloads for Kindle is R.L. Stevenson’s Treasure Island – which has those incredible illustrations by N.C. Wyeth. Seeing those in black and white just wouldn’t be the same (I’ve learned from looking for Wyeth prints online that the color quality really makes a difference.) I remember getting turned on to Conan Doyle’s The White Company and Stevenson’s Kidnapped in large part because of Wyeth’s illustrations, so for me it amounts to an abridged version of the novel to see it in black and white. But the touch screen I can do without.

  • [...] 1st, 2010 2:39pm Don’t Really Care About Touch Screens or Color | Conversational Reading I wonder how many readers out there are like me and don’t have much interest in a color/touch [...]

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