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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • The Enchanted Wanderer and Other Stories by Nikolai Leskov March 6, 2013
    Pevear and Volokhonsky’s ambition in bringing Leskov and all his stylistic peculiarities into English is impressive, and all the more so for how it contrasts with their previous role as translators of Russian. The pair are justly famous for their renditions of the great nineteenth-century Russian novelists; their editions of Anna Karenina and Crime and Punis […]
  • Middle C by William H. Gass March 3, 2013
    What distinguishes Middle C from his other fiction, then, is not the that Gass’ protagonist, Joseph Skizzen, spends nearly a lifetime deflecting the dangers and horrors of life itself, but the ways in which the novel’s narrative voice buffers him from the responsibilities of being a protagonist at all. In this, the tale of his life, stretching from the Blitz […]
  • The Field Is Lethal by Suzanne Doppelt March 3, 2013
    This is a strange, engaging book that does not offer up its material to the reader without a struggle. Much of its strength comes from its juxtapositions, not only of idea with idea, word with word, phrase with phrase, but also text with image, image or text with white space, and in a larger sense, the abstract with the concrete. Doppelt is interested in how […]
  • 70% Acrylic 30% Wool by Viola di Grado March 3, 2013
    You can tell that Viola di Grado has a unique voice from the first line of her novel, 70% Acrylic 30% Wool: “One day it was still December.” If this line seems a little puzzling, the next one puts things in (ironic) perspective: “Especially in Leeds, where winter has been underway for such a long time that nobody is old enough to have seen what came before.” […]
  • Promising Young Women by Suzanne Scalon March 3, 2013
    Plath’s ghost haunts the pages of Scanlon’s book, a non-linear narrative that hinges around Lizzie, a bright liberal arts student from Barnard and aspiring actress who has much in common with Plath’s protagonist. We’ve fast-forwarded forty years to New York in the early 90’s’; like Esther before her, Lizzie has come from the provinces to make a name for hers […]
  • The Available World by Ander Monson March 3, 2013
    What happens to all the old, new things after two or three new, new things replace them? And what of the ideas and memories of which they are ultimately extensions and souvenirs? This is one of the larger questions, really, that Ander Monson poses in his most recent collection of poems, The Available World, though he does so in varying shades of subtly and e […]
  • The Whispering Muse by Sjón March 3, 2013
    There is something immediately seductive about Sjón’s The Whispering Muse. The narrator, a peculiar old Icelander named Valdimar Haraldsson, receives a letter from an old acquaintance, inviting him on a sea voyage aboard the newly launched merchant ship, the MS Elizabet Jung-Olsen. Haraldsson, who has long been cooped up in his shabby Copenhagen apartment, r […]
  • Wolf and Pilot by Farrah Field March 3, 2013
    When Farah Field announced the opening of Berl’s Brooklyn Poetry Shop (Field and Jared White’s pop-up shop the only all-poetry bookshop in New York City) two Februarys ago on her blog Adultish, she wrote this: It is kind of an anti-capitalistic act because no one could ever pay what poetry is worth. This sentiment is exactly true ofher new book, Wolf and Pil […]
  • The Selected Letters of Anthony Hecht March 3, 2013
    Unless he is John Keats, a poet’s letters seldom stand alone as literature. They might hold our attention as gossip (Lord Byron), psychiatric case study (Robert Lowell) or the after-hours thoughts of a combative poet-critic (Yvor Winters), but few could be pleasurably read without the additional scaffolding provided by the poetry. Even Marianne Moore, one of […]
  • Kind One by Laird Hunt March 3, 2013
    Readers who go into Laird Hunt's Kind One looking for kindly characters are presented with an array of unlikely candidates. It simply cannot be Linus Lancaster, a farmer with delusions of grandeur (his farm is named Paradise) who beats his wife Ginny, rapes his young female slaves Cleome and Zinnia, and whips Alcofibras, the slave who tends his garden, […]

Ebooks: Catastrophe or Opportunity?

While I was at Blue Met last week, Chad had some interesting things to say about how Amazon selling ebooks at $9.99 was something that publishers could definitely make a profit off. He was making a lot of sense—basically that at 70% of $9.99, publishers would be earning more per ebook than they’re currently getting per print book.

But now Jason Epstein says this at the NYR Blog. So, would be interested in seeing Chad’s rebuttal.

The problem began when Amazon set out to charge $9.99 per e-book download, considerably less than it was paying publishers for their e-book inventory. Since Amazon’s competitors could not afford such a costly strategy, Amazon hoped to dominate (or even monopolize) the e-book market and dictate future e-book pricing. Should Amazon’s $9.99 price become the industry standard—a reasonable assumption since e-books like iTunes are merely disembodied electronic information—publishers might then be obliged to sell e-book content to Amazon for perhaps as little as $6.00, too little to contribute their share of pre-digital legacy costs for warehousing, inventory and traditional marketing. Publishers, unable to support these residual costs by physical book sales alone, might eventually submit to the digital imperative and market their books directly to the web to be read on digital screens or printed on demand one copy at a time at diverse locations. Though Amazon’s strategy, if successful, might force publishers to shrink or even abandon their old infrastructure, demand for physical books, printed and bound, will not disappear. Publishers might thus find it necessary to subcontract their physical inventory to specialized distributors.

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More from Conversational Reading:

  1. The Hidden Costs of eBooks The Harper Studio Blog makes the case for why ebooks shouldn’t be dirt cheap: There seems to be a common refrain in many discussions of...
  2. Cheap eBooks: Good or Bad? As I idly requested last week, Chad has more fully explained his thoughts on pricing Open Letter's new ebooks at $4.99 for a limited time....
  3. Audiobook Trends Thanks to MP3s, audiobooks are upping their share of the book market. Digital downloads of Naxos’s talking books account for about 12 per cent of...
  4. What Ebooks Can't Do "Are we writing books or producing content that can be reproduced in any form?" asked Ander Monson, a poet and essayist whose "Vanishing Point: Not...
  5. HarperCollins Switches to All-Digital Catalogs MobyLives follows up Rachel Deahl's report in Publishers Weekly with the news that HarperCollins is switching to all-digital catalogs. One of the big publishers —...

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1 comment to Ebooks: Catastrophe or Opportunity?

  • asli secil

    i work for a turkish publishing company, and in 2011 we have rolled out a new series of books that we publish only in the e-book format, without the printed version. the cost of production for an e-book is as follows: usd 3 per page (covering editing, proofreading, and design) + usd 200 usd for cover design. for an average 250-page book, that makes usd 950. we sell all e-books at usd 3. the turkish version of amazon.com sells our books, and charges 45% for that – also discounting 18% vat, our net revenue is usd 1.4 per copy. 30% of that goes to the author. this puts our break-even point at approximately 950 copies. for printed books, when we print 2000 copies, charge usd 9 and pay the author 10%, we get the same breakeven point – 950 copies. so for us it’s a win-win-win situation – the readers are better off (way cheaper books), authors are better off (because even though the price of the e-book is 3 times cheaper than that of the printed book, this is more than compensated for by the 3 times higher royalty percentage and the greater number of e-books sold compared to printed books), and we as the publishers are also better off by the same token. also, once we start selling our own books, the share of books for which we’ll pay 45% to the distributor will decrease, thus lowering our breakeven point drastically.

    this, of course, will be the case in about four or five years, because e-book titles don’t yet sell all that many in turkey. we are footing the bill because we want to have a strong backlist when that time comes.

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