The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Empty Page
JSF asks famous authors for an empty page. They respond.
Richard Powers was the first to respond. "The favor is indeed strange," he wrote, "but wonderful. The more I think about it, the more resonance it gets: a museum of pure potential, the unfilled page!" He sent along the next sheet from the yellow legal pad on which he writes. When I held it to my face, I could see the indentations from the writing on the page that was once above it. Within a week the indentations had disappeared – the ghost words were gone – and the page was again perfectly flat.
I received a piece of paper from Susan Sontag. It was slightly smaller than the standard 8 1/2" x 11", and her name was printed across the top – for archival purposes, I imagined. John Barth sent me an empty page. It was classic three-hole style with the red strip up the margin. (How strange, I thought, that America’s most famous metafictionist should compose on the most traditional, childlike paper.) His note: "Yours takes the prize for odd requests and quite intrigues me."
A sheet of empty graph paper came from Paul Auster, which evoked his style. An absolutely gorgeous mathematician’s log from Helen DeWitt, accompanied by advice to the young writer about getting to know one’s typesetter. A page ripped from David Grossman’s notebook – small, worn even in its newness, somehow strong. He sent along a beautiful letter filled with observations, opinions, regrets, hopes and no mention of blank paper. A clean white page from Arthur Miller, no accompanying note. Paper from Zadie Smith, Victor Pelevin, David Foster Wallace ("You are a weird bird JSF"), Peter Carey, John Updike. . .
I find this at Der Tagesspiegel. Has this been previously printed elsewhere?
More from Conversational Reading: - Four-page Chapters The Chicago Sun-Times tries to figure out why The Da Vinci Code has been so successful. Apparently, finding the answer to this question is tougher...
- $8 Million for a 1-page outline Why? Just to cover the cost of the advance, the publisher — which will receive about half the $25.95 cover price of each book sold...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
Is your final question a trick, a ploy to ferret out those who still look at nudies? I will not be taken in!