The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Enemy Country
Denis Donoghue’s essay in the current Harper’s is good. Here’s a nice quote from it:
But I wish he had interrogated language itself a bit more.
He writes of it as if it were an always cordial presence, waiting
patiently to be invited to dance. It may sometimes be so; but I note
that Geoffrey Hill refers to language as enemy country, that Eliot
speaks of “the intolerable wrestle/With words and meanings,” that
Valéry thinks of the poem as “a prolonged hesitation between sound and
sense,” and that Stevens writes in “The Creations of Sound”—probably
with Eliot in his sights—
Tell X that speech is not dirty silence Clarified. It is silence made still dirtier.
These are difficult, obscure statements; one might be
forgiven for being blank about some of them. But at least they express
a sense of language as not at all companionable, nor easily relied on.
Language evidently permits felicities, eloquences found among the
words, but only provided they are not taken for granted in advance.
Parini is not alone in giving language a free pass. . . .
I think Harper’s gives us about 4 or 5 lit-crit essay of this quality per year. Yeah, that’s a little low for a monthly publication, but toss in the predictably liberal political coverage and the delightfully off-beat essays on occasionally compelling topics and I’d say they’ve earned their $18.
You Might Also Like:
More from Conversational Reading: - In the Country of Last Things, Review/Essay Every now and then I’d like to post a little something about a book I recently read. I’m not sure if these are reviews or...
- As a Woman I Have No Country Apparently Angelina Jolie has some Virginia Woolf inked on her skin for Brad to learn from. I guess if you’re quoting Woolf your choice is...
- Disappointed So I saw in my Powells feed that The Atlantic Monthly has had Deborah Eisenberg review the new collection by Alice Munro. "Perfect!" I thought,...
- George Packer Wanker In a general attempt to shun politalk around here, I really wanted to not link to this Harper’s expose of pro-war-liberal-who-suddenly-decided-Iraq-was-a-mistake-when-it-turned-out-bad George Packer, but now...
- Fiction v Non-fiction In this essay by Kevin Smokler about editing Bookmark Now, a non-fiction anthology by younger authors about writing in the 21st century, there’s a lot...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say