Excerpt from The Surrender

There’s a book that I wrote called The Surrender that will be publishing from Anomalous Press on March 31, 2016. It’s launching at this year’s AWP Conference in Los Angeles, so you can get it at the Anomalous Press booth then, or in bookstores, etc thereafter.

If you would like an advance look at this book, some of The Surrender was excerpted at Entropy yesterday. (I also wrote a little about The Surrender in this post from November).

The book began its existence in the fall of 2014 when I published “The Last Redoubt” with The White Review. At the time I thought that essay was going to be the end, but early in 2015 I was presented with the opportunity to expand that essay into an entire book. So I added an essay that goes before “The Last Redoubt” and one that goes after it, thus forming a triptych of essays. The first essay deals with aspects of my adolescence and young adulthood—basically things leading up to the events depicted in “The Last Redoubt”—and then the third essay deals with the past few years, that is, things that happened after the events in “The Last Redoubt.”

The excerpts found at Entropy come from essay number one. You can read them here.



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THE SURRENDER

The Surrender is Scott Esposito’s “collection of facts” concerning his lifelong desire to be a woman.


LADY CHATTERLEY'S BROTHER

Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


THE LATIN AMERICAN MIXTAPE

5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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