Favorite Reads of 2010: Atlas of the European Novel 1800-1900 by Franco Moretti

All my favorite reads of 2010 collected here.

If you pick up Atlas of the European Novel 1800-1900 and flip through it, it’ll look like something you might see in The Believer. Your eye will be drawn to all these interesting diagrams with suggestive titles like “Colonial wealth in British sentimental novels.” First you’ll ponder those, and then when you sit down to actually read this book, you will find that it is literary criticism, albeit literary criticism of the best kind possible–genuinely innovative and genuinely readable. (And in fact, Moretti has something rare in an academic critic–a fresh, engaging prose style.)

So what is this book? Well, let me tell you. Franco Moretti is an unabashed lover of the 19th-century novel (he says his favorite book of all is Pere Goriot by Balzac). That’s great for a lot of reasons, but it’s kind of a bad thing if you’re a professional academic. After all, what’s left to be said about the 19th-century novel?

Faced with this questions, Moretti’s two options were thus: cultivate his nest in some godforsaken plot of land that no one else would even think about touching (maybe the epistolary strategies of the canine fiction written by Jane Austen’s aunt’s daughter’s husband); or find some way to write about the good books that no one had ever come up with before.

Moretti chose the latter, and from necessity was born his singular, statistical approach to literary criticism. This book is something like Guns, Germs, and Steel meets The Western Canon, wherein Moretti crunches the numbers and discovers how geography was destiny for not only the great European writers of the 19th-century but also European fiction as a whole.

The best part about Atlas is Moretti’s readings of his own data, which go far beyond the book s at hand to make interesting statements about literature in general. The book is hugely readable and hugely illuminating. It might just hook you on Moretti’s brand of lit crit and get you deep into his backlist.

All my favorite reads of 2010 collected here.

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I absolutely love this book. In particular, Moretti’s analysis of Dickens’s best novel, Our Mutual Friend, really helped me to understand what was different (and better) about that book; it showed me the novel from a perspective that I would never have taken on my own.

I’ve been meaning to try his giant, two-volume book on the novel, but I’ve not gotten to it. This is a good reminder that I should.


The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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