The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

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Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

Favorite Reads of 2011: The Notebooks of Malte Laudris Brigge by Rainer Maria Rilke

I think out of everything I read in 2011, The Notebooks of Malte Laudris Brigge would have to be my single most favorite thing. I could tell that I was in for an exceptional experience when certain trusted reader friends of mine, seeing that I had picked up the book at San Francisco Public’s annual huge book sale, spoke of the book in the kind of reverential tones that are only elicited by books of the highest quality. The book is composed of what I suppose you would call “entries” in Brigge’s notebooks, but there’s really very little here that would make this book feel like a journal-as-novel. The thing about the book, however, is that despite any sort of organizing conceit, it really does feel very unified around—something . . . divining that center is part of the task. I really don’t know what this book is about, or even how it works; all I feel I can say after a first reading is simply that it radiates meaning as only the best books I read each year do and that there are literally scores of quotes that I underlined on even a first read . . .

“I don’t think there is such a thing as fulfillment, but there are wishes that endure, that last a whole lifetime, so that anyhow one couldn’t wait for their fulfillment.”

“. . . she could read for hours, she seldom turned a page, and I had the impression that the pages kept growing fuller beneath her gaze, as if she looked words onto them . . .”

“I, who even as a child had been distrustful of music (not because it lifted me out of myself more powerfully than anything else, but because I had noticed that it never put me back where it had found me, but lower down, somewhere deep in the uncompleted) . . .”

“. . . she immediately began to die, slowly and hopelessly, over the whole surface of her body.”

“I lay there, overloaded with myself, and waited for the moment when I would be told to pile all this back into myself, neatly and in the right order.”

“As if I hadn’t known that all our insights are added on later, that they are balance-sheets, nothing more. Right afterward a new page begins, with a completely different account, and no total carried forward.”

. . .

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3 comments to Favorite Reads of 2011: The Notebooks of Malte Laudris Brigge by Rainer Maria Rilke

  • Richard

    Scott–I simply adore this book. I’m so glad you chose to highlight it here; it’s something that I wish more people would read.

    I’m curious: did you read the Stephen Mitchell translation? (This is what is linked to here.) I did, too, and I love Mitchell’s Rilke (the poems, too, of course). But I find myself wondering if either Burton Pike’s or Michael Hulse’s translations are worth checking out, too. After reading William Gass’s book on Rilke and translation, I found myself questioning whether I should love Mitchell’s versions of the poems as much as I do. I went out and read around among a bunch of different translations (including, of course, the ones Gass provides in his book, which are quite interesting)–particularly of The Duino Elegies and the Sonnets to Orpheus. However, I found myself ALWAYS returning to Mitchell’s Rilke. Even Edward Snow, who introduced me to the full version of both volunes of New Poems, ends up feeling somehow disappointing to me when I compare his versions to those done by Mitchell (who has only translated selected poems other than Duino and Orpheus).

    At any rate, I’m quite curious as to whether you’ve read any other translations of this one, and whether the prose is significantly (or even subtly) different in any important way.

  • Should be Laudirs not Laudris.

  • Martin Walker

    Third try:
    Malte Laurids Brigge

    Just a personal point of view: as a fluent German speaker who cut his teeth on Rilke, I have to say that the Rilke translations by Mitchell that I have seen strike me as woefully inadequate – they sound flat, normalised, sort of preachy.

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