Favorite Reads of 2015: #1 Joseph and His Brothers by Thomas Mann

Have a look at all of my favorite reads of 2015.

Mann considered Joseph and His Brothers his “pyramid,” the monument that would withstand the decades and centuries as smaller works were ground to dust. Indeed, it is enormous: sixteen years to write, 1500 pages, four volumes, and it recounts one of the central stories in all of Western civilization.

Yet it is probably the least-read of Mann’s major books. I myself had read almost everything else of Mann’s of similar status before I got around to it this year, and I only did finally come toward it because of a fascination of the ancient world and its religions.

Although the story of Joseph is a central story in the Judaic and Christian religions, Mann did not write this book out of a religious fervor (his spirituality seemed to be more attuned to “peaceable homoeroticism“). Rather, Mann here is interested in the status of myth in our culture, how these religious stories came to dominate all life in the West, and how Western culture discovered its god. He is also utterly compelled by the ancient world, reading countless books to master its details so that he could render this alien landscape as precisely as possible.

Needless to say, this is not the Bible you may have been taught in Sunday school. The book’s 40-page prelude (“Descent into Hell”) is Mann at his most Borgesian, pondering just how much of our own history we can possibly know, and where exactly history descends into rumor and folktale before it stops entirely at the boundaries of the written record. He also wants to know how these stories have come down to us, and why in this form. Throughout the tetralogy, Mann draws freely from pagan and gnostic belief, as well as his own bizarre, 20th-century imagination.

This is a massive, deeply intellectual work, although the storytelling is brisk and vivid, and Mann’s sharp sense of irony is evident throughout. Which is to say, Joseph and His Brothers is as much as a bizarre old page-turner as are all of Mann’s large books. It fascinates, and jabs, on every page. It is indeed a pyramid: climb to its heights and you will see new things.

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TY! I just finished the Wood translation of “Buddenbrooks” and enjoyed it very much. Perhaps soon I will take this one on.

Loved your phrase “spirituality . . . & sifting through reviews via Ross’s piece I learned a new word in what I think is the best of the reviews of Kurzke’s biography—“His bisexual Sehnsucht gave him penetrating insight into human nature and enabled him to create some of the most interesting characters in modern literature. ” Jeffrey Meyers in The New Criterion. ” That phrase seems perfect now that I understand a bit more the term–Sehnsucht. Some sites link it to the Portuguese Saudade & I wonder to Pessoa”s Disquiet.


The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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