Lady Chatterley’s Brother

The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • In Red by Magdalena Tulli December 5, 2011
    In Red is Tulli's most conventional novel—which is not to say it could finally be described as a conventional work of fiction. Still, to the extent it does offer individuated characters, some degree of plot "movement," and a strongly delineated setting, readers hesitant to commit to one of the novels that seems formidably experimental might fi […]
  • Show Up, Look Good by Mark Wisniewski December 5, 2011
    Early in Show Up, Look Good, Mark Wisniewski’s second novel, newly single Michelle meets up with an old friend, Barb, from the Midwest. Michelle has already been portrayed as a woman who attracts all variations of awkwardness and bad luck: she’s awakened to find her ex, Thom, “having his way, well, with a marital aid,” agreed to bathe an old woman as part of […]
  • An Ermine in Czernopol by Gregor von Rezzori December 5, 2011
    Gregor von Rezzori’s fictitious city Czernopol exists at the edge of civilization, on the border of memory and invention, lying “somewhere in the godforsaken southeastern part of Europe.” In reality it is Czernowitz, in the region known as the Bukovina, ceded by the Ottoman Empire to the Austro-Hungarian Empire in 1775, then after World War I part of Romania […]
  • 1Q84 by Haruki Murakami December 4, 2011
    The publication of 1Q84, Haruki Murakami’s biggest, most ambitious novel to date, seems to have brought his career full-circle. This is not simply because the book has widely been posited as Murakami’s Brothers Karamazov—that is, an attempt to write a meganovel summing up his life’s writing—but even more because of the trajectory Murakami has taken as a writ […]
  • Ordinary Sun by Matthew Henriksen December 4, 2011
    Ordinary Sun at times feels like listening to confession in a parallel universe, a world with all the guts displayed on the outside, and the underworld on top. Make no mistake though: there is no otherworld. Henriksen’s world is this world. Who doesn’t recognize her own kind in lines like these, from “Corolla in the Midden”: “I do not dream. I just watch / f […]
  • Selected Poems by Jaan Kaplinski December 4, 2011
    Though sometimes referred to as a Modernist, Kaplinski’s poetry often has the feel of a classical, and older, poetics. The poems have a gravitas; they do not mock, toy, or play with the reader. They invite the reader to eavesdrop on the thoughts, remembrances, and philosophy of a person as they flicker and flow. This contemplative, philosophic strain is pres […]
  • Joseph Brodsky: A Literary Life by Lev Loseff December 4, 2011
    A martyr is not necessarily a saint, in any case, and those who knew him didn’t turn to him for saintliness. He was spellbinding, an electrical jolt for the psyche. An encounter with him, as a colleague or as a mentor, could be life-changing and endlessly rewarding. Warts and all, the real man carries far more interest than the photoshopped one Loseff gives […]
  • From Fiona and Ferdinand by Josef Haslinger December 4, 2011
    On the day of Bachmaier’s funeral there were two messages from my mother waiting for me on the answering machine. In the first one she asked me to call her back, in the second she said that the village was in an uproar: I was to come at once. Calls from my mother were rare. […]
  • Self-Portrait of an Other by Cees Nooteboom and Max Neumann December 4, 2011
    As hard as you look at it, Max Neumann’s paintings don’t reveal much about his method, but two recent English-language publications imply that he must enjoy collaborating with luminaries of world literature. AnimalInside, reviewed in The Quarterly Conversation's issue 25 by Christiane Craig, brought Neumann together with László Krasznahorkai, the presti […]
  • Learning to Pray in the Age of Technique by Gonçalo M. Tavares December 4, 2011
    Someone once noted that it’s easy to have virtue when facing adversity but the real test of character comes when one is given power. To test this aphorism, one need look no further than Gonçalo M. Tavares’ novel Learning to Pray in the Age of Technique for evidence of how power corrupts and attracts the corrupt. Tavares is a prolific writer from Portugal who […]

Free From Typepad

As you can see, any common idiot can string together a reasonably good-looking site on WordPress. (And, no, that’s not a dig at Web designers. Actually, just the opposite. I never would have been able to put this together without the community of really bright people who will design everything from full-on, customizable templates to minor tools for free for WordPress users.)

I’ve known Typepad was a lesser platform for some time now, but I’ve been loath to migrate my entire blog over from Typepad, mostly because it seemed like it would be a real chore and I felt that I had better things to do with my time. (I kept telling myself, Typepad’s not that bad, surely not that bad . . .) What finally broke the camel’s proverbial back was Typepad’s absolutely awful customer service. Here’s the deal:

Maybe for every 10 cool new gizmos WordPress users get to use, Typepad will manage to offer its users one late-coming, somewhat functional knockoff of something that was made standard on WP about 6 months ago. In the case of this story, it was a “Re-Tweet This” button. Of course, being Typepad, they implemented it in the most bureaucratic, closed-source way possible: they made it so that you had to go into your blog setup and flip a switch to enable the feature on your site. You didn’t get to say where it went, or how it looked, or whatever. No customization, no customer input, nada. Just on or off. You flip a switch and it shows up.

So what’s the problem, you ask? Well, being a user of Typepad’s “Advanced Templates” (for which you have to pay a large premium just to be able to customize your site’s CSS in a clunky editor) I was out of luck. Believe it or not, Typepad only provided extra functionality to those paying less than I was. Ahh, but it gets better. Knowing that all I’d need to do was just insert a little code to implement Typepad’s “Re-Tweet This” button (I’d long-since gotten used to odd workarounds for features that didn’t quite work for all Typepad users), I kindly asked if Typepad would make the coding for the button available, so that I could stick it in by hand on my blog’s template. Not a whole lot to ask, really. I took out a “help ticket” to make this request, and a representative told me they’d be right back with me on that.

And that, my friends, was about three months ago. For a while I was daunted by the inevitable broken links and broken images (Typepad doesn’t make it easy to migrate your info off their site . . . wonder why, is it sheer incompetence or part of their business strategy to lock in customers?), but I finally faced the fact that I needed to be off of those servers. So here I am now with a WordPress blog. You’ll likely notice a little dust and dirt based on the fact that I’ve just up and dragged the entire site from one corer of the Web to another (my hat’s off to people who migrate data for a living), but the site should be more or less functional. And if you do notice things not working properly, please let me know so I can get started fixing them.

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