The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Friday Catalogs: Soft Skull/Counterpoint
Here’s what caught my attention as I browsed Soft Skull and Counterpoint’s Winter 2008 catalog.

Lydia Millett fans will be happy to know that she has a new book out, How the Dead Dream. The cover features an extreme close-up of what I think is a T. Rex face, and the book deals with a supercharged LA estate developer named T. who eventually takes a "Conradesque" journey up a tropical island river. Pubbing in January.
Counterpoint is publishing two new books from the late Donald Barthelme. Not-Knowing (February) is a book of essays and interviews. The Teachings of Don B. (February)seems like a hodgepodge: satires, fables, illustrated stories, and plays. The big news here is that Teachings features a foreword by Thomas Pynchon.
Another Barthelme, recently published by Shoemaker and Hoard, is Flying to America, a collection of previously uncollected and/or unpublished stories.
Although I don’t know much about the author, I’m intrigued by The Devil Gets His Due, a collection of Leslie Fiedler’s essays. The copy calls him a popular essayist in Europe who broke down barriers between high and low cinema, literature, and history. Pubbing in March.
And lastly there’s Reproduce and Revolt. This book is a collection of street-savvy political graphics, but since everything in it is open source, anyone can use the included images in whatever they want. Available.
——-
When you’re looking for helpful ideas you can use and are looking to buy perfect
textbooks to help you with your educational needs, you should remember to check us out to find what you need.
More from Conversational Reading: - Friday Column: Vollmann's Rainbow Stories Over 10 books and tens of thousands of pages later, it’s difficult to peer all the way back to William T. Vollmann’s second book, The...
- Friday Column: Martone As a member of the LBC, I was greatly impressed by Michael Martone, our Summer 2006 Reah This! selection. For those who haven’t read...
- Essays This piece by Paul Graham is a bit long (and if you’re like me, reading real long articles online is like poking little pins into...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
The Teachings of Don B actually came out in 92, I think. I like it a lot.
I would also think that Fiedler is equally popular in America.
Fielder’s not European, he was born in Newark. Ross Posnock published a good piece about him in Bookforum called “Innocents at Home,” available online. The Wikipedia entry about him sums up his influential 1948 Partisan review essay, “Come Back to the Raft Ag’in, Huck Honey!”
both the barthelme books are re-issues with new intros.
very excited regardless.
It’s sad when Leslie Fielder, author of Love and Death in the American Novel,is remembered, if at all, as perhaps a European critic or as the author of a now obscure article. In fact, Fiedler was one of the most brilliant critics of his time as well as being an anti-war activist when we was a professor at SUNY-Buffalo in the Sixties. I’m glad to hear he’s being resurrected, at least in part and encourage all to read him carefully.
xmattxyzx wrote:
>The Teachings of Don B actually came out in 92, I think.
Yeah, both of the Barthelme’s are re-issues. Not-Knowing came out in 97.
mike wrote:
>both the barthelme books are re-issues with new intros.
The intros are the same as prior editions: Barth (N-k) and Pynchon (Teachings).
I used to want to be Leslie Fiedler! Seriously, though, in my estimation probably one of the best cultural critics of his generation. Certainly the best writer. Managed to be smart and avant garde without being obscure (not to say obtuse) in the fashion of too many literary and cultural theorists of the past thirty years. The closest I’ve seen to literary criticism becoming a form of literature itself.