The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

Friday Column: Give A Book

In 1995 in The New York Review of Books, Brad Leithauser was fortunate enough to have the opportunity to adulate his favorite book ever in the pages of one of the widest-read and most respected literary periodicals in the nation.

Leithauser left little doubt as to the place this book held in his heart:

There are good books and there are great books and there may be a book that is something still more: it is the book of your life. If you’re quite lucky, you may at some point chance upon a novel which inspires so close a kinship that questions of evaluation (Is this book better than merely good? Is it some sort of classic?) become a niggling irrelevance. Luck has everything to do with it. For the sensation I’m describing has its roots in a poignant, tantalizing feeling that this marvelous new addition to your existence, this indelible Presence, has arrived by serendipity.

I dare to say that anyone who is reading this and had read long and closely enough knows exactly the sensation Leithauser describes. His description is lovely, but it is also superfluous–true bibliophiles know just what Leithauser means. I certainly do. From the moment I had read this far in Leithauser’s essay, I knew exactly which book I would devote this honor to.

So which book is the book of Leithauser’s life?

And the book of my own life? I remember vividly my initial encounter with it. I finished its last chapters one late afternoon in Rome, seated in an all-but-deserted café. Outside a storm had abruptly blown in and a chill autumn rain was lashing the streets, and I read as though furtively, hunched over the pages. I did this for two reasons. The light had turned dim. And I didn’t want anyone happening to glance my way to notice I was weeping.

The novel was Halldor Laxness’s Independent People.

This is all great, but what comes next is pure genius. How does Leithauser continue to pay homage to Independent People to this day?

Independent People is not hard to come by in the States. When it was published here, in 1946, it was a Book-of-the-Month Club Main Selection, and copies regularly turn up in usedbook stores. Provided the price is ten dollars or less, I snap them up whenever I come across them. They make an ideal present—though some explanation may be in order when, arriving at someone’s house for dinner, you hand your host not a bottle of wine but a dusty, almost fifty-year-old book, translated from Icelandic, about sheep farmers. At one point, I’d accumulated more than twenty copies; I rarely have on hand fewer than ten.

Ever since I read my own favorite book in the world, I’d had an idea, even an urge, to evangelize for it. For me, the book sustained a combination of stylistic pleasure, pure comedy, memorable characters that I loved to follow, intellectual elaboration, and plain old plot over an almost miraculously long duration. As long as the book was (and it is long), it still ended far too soon. It was the kind of book that actually inspired thoughts along the lines of "savor this, because you’ll only get to read it for the first time once."

There are books you respect, books that so impress you with their erudition that you go back through them a second and third time and find more and more there to the point that you work yourself into a frenzy. This book is great! But there are other books that on the very first pass through just seem to be wired into your brain. A second and third pass reveals even more, but you don’t really need them; that first time through was so overwhelming that it is the only proof you need of the book’s magnitude.

I’d enjoyed this book so thoroughly, and found its observations about life–especially life in America–so profound that it left me fired with a desire to exhort as many people as I could to read it too. Not for my own benefit, but for the book, for the author, most of all for the readers themselves, whom I believed would find so much to love in this book I loved so much.

I wanted to exhort, but how? I’m not the type of person who goes up to a person I somewhat know and just starts railing to them about books. I’m not even the kind of person who would usually do this, uninvited, to close friends.

That’s why Leithauser’s idea strikes me as ideal. I can simply pick this book up at usedbook stores–they usually have at least one copy on hand–and make stacks of them to give away as gifts. Leithauser’s admission that "some explanation may be in order" makes the perfect opportunity for me to spill my guts to the unsuspecting recipients.

I bring this up now because Christmastime is undoubtedly the height of my book-giving and -receiving for my year. I imagine that is probably is for a lot of you as well. It’s the one time of year that I feel correct in giving good books as gifts, even to people I wouldn’t normally think to give books to. This contrasts with the rest of the year, where I tend to be quite careful about giving books to people unless I’m absolutely sure they will end up reading them. I hate the idea of a book given for a birthday or some other occasion placed high up on a shelf and left to sit there forever.

This is why Leithauser’s idea so appeals to me: the audacity of sauntering in–apropos of nothing–and slapping a book into somebody’s hand (complete with explanation of how said book was the greatest reading experience of your life) might just be enough to get anyone to read your book. Imagine if someone came to your next party, gave you a copy of, say, White Noise, and explained that they had brought it to you because it is the greatest book they’ve ever read. That might carry more cache than even that paperback given you by your best friend for Christmas.

So, this Christmas, I’d like to pass along the idea that book-giving need not be a once-a-year occasion. Look deep into your own shelves and think about what’s your own favorite book ever and start giving it away. If you live in a moderate-sized city on up, you can probably even find all the copies you’ll ever need in your local usedbook store. If not, there’s always our two major online retailers, both of which tend to have a steady supply of cheap classics.

As for the book that I’ll give away from now on, readers of this blog should know it well. It is, of course, Infinite Jest.

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4 comments to Friday Column: Give A Book

  • Ok ok ok….now that I’ve found you I feel your Infinite Jest hammer in my head all day long. I’m going to read it starting Jan. 1st. It will be the 2007 life changing book….perhaps…or at least according to you.

  • Mark Fox

    Infinite Jest? Oh, that will make you real popular! But for the record, I have two–a first edition, and a later edition signed by the author. They live side by side on my bookshelves.

  • Funny, the Laxness book has been on my short list all year. Yes, it’s great that often you can buy used copies of great books via half or amazon for under $5.
    I used to buy multiple copies of Candide at college and give them away as presents. (that was when used bookstores were selling them for under a dollar).
    Oddly, I had a copy of Infinite Jest,(I have not read it). I think I actually may have lost it.
    Because of the efficiencies of the used book market and interlibrary loan, nowadays the most important thing is not the physical object but simply the title. And here’s the title of a book I read this year–easily the best I’ve read in the last five years. It’s Dino Buzatti’s Restless Nights, and it’s not cheap. $45 (for 100 pages of short stories).

  • Leithauser has a great idea, and I’m considering doing likewise with Knut Hamsun’s “Hunger.” My only qualm is that by snapping up every used bookstore copy I can find, I deprive some stranger the joy of stumbling across it. Maybe I can buy them in bulk somewhere.

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