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Friday Quotes
The Irresponsible Self by James Wood (Picador, 2005), pg. 27:
It is a shame that many readers never get to [Don Quixote's] stupendous second book, which is both funnier and more affecting than its first. A rough analysis of the action in the second book might go like this: Jesus Christ is wandering around first-century Palestine trying to convince people that he is the true Messiah. it is a difficult task, because John the Baptist, instead of preparing the way for the Messiah, has claimed that he is the true Messiah, and has gone and got himself appropriately crucified on Calvary. Since many people have heard of John’s death and resurrection, Jesus finds himself being skeptically tested by his audience: can he perform this and that miracle? Moreover, when Jesus hears that John has been crucified on Calvary, he decides to prove his authenticity by changing his plans: he will not now be crucified on Calvary but will instead travel to Rome to be eaten by lions. Tired, disillusioned, deeply saddened by the unexpected explosion of his greatest dreams, he sets out for Rome with his dearest disciple and right-hand man, Peter. But Peter, taking pity on him, gets together with some of the disciples and convinces Jesus that he should give up this Messiah lark, and should retire to somewhere nice, like Sorrento. Jesus meekly obeys, arrives in Sorrento, and immediately falls sick and dies, though not before renouncing all claims to divinity and announcing his convinced atheism.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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