The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
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  • Sworn Virgin by Elvira Dones June 15, 2014
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  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
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Gender Bias in PW’s Best Books of the Year?

Matt Cheney:

The good people at Publisher’s Weekly are probably speaking what they think is the truth when they say, about their all-male list of 10 “best” books of the year, that “We ignored gender and genre and who had the buzz.” I believe them when they say, “It disturbed us when we were done that our list was all male.”

But being disturbed is not enough. What they have done is shameful.

This is not just some blogger’s list of favorite books of the year. This is the publishing industry’s trade journal telling the world what ten books from 2009 deserve most acclaim and attention. This list will affect how books are stocked in stores and it will affect what books are bought by libraries. The fact that the list only includes male writers contributes to a problem.

The editors who created this list have chosen to perpetuate sexism. They have deliberately and knowingly made it easier for male writers to have access to sales and publicity at the expense of women writers. Their list perpetuates the idea that the best, most serious, and most consequential books are written by men, and that idea will continue to have an effect out in the world.

Of course Matt is absolutely right when he says that this will have a real effect in the world, and he’s likewise right that PW should do some soul searching, although I find it hard to cast too much blame on PW unless I can at least know who was involved in picking these books and how it was done. Granted, though, this should have them scratching their heads and trying to figure out something a little more diverse next year, just as the NYTBR’s all-Knopf classic should have them re-examining their processes (fat chance).

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4 comments to Gender Bias in PW’s Best Books of the Year?

  • This is an interesting dilemma, specifically BECAUSE of that large industry-clout you point out PW has; knowing their list would have a real financial impact on writers and bookstores, should the editors at PW have made that list gender-diverse, even if they themselves (by majority vote, I’m assuming) genuinely thought this year no books by women made the ‘top 10′ cut? Is their list irresponsible, even if it honestly reflects their critical appraisal?
    (not that I don’t think their list is daffy – three of the best novels I read this year were by women, and two of those were YARDS better than any new novel by a man I’ve read this year)(but it’s still fascinating to think about)

  • Tom

    As the industry’s leading trade journal, PW has certain obligations regarding what books/authors it chooses to promote; however, forcing it to comply to political correctness is just as dangerous as letting it stir up controversy. After all, why stop at women? Why not demand that a gay writer appear on the list? An African American? A Native American? etc. etc.
    The point is, maybe PW just didn’t find a woman’s book that it considered among the very best of the year. Is this so terrible? The Oscars go year after year without nominating a female director. My point is this: being overly sensitive and shackled to notions of political correctness is a quick way to make such banal lists (and top ten lists are inherently banal) even more irrelevant.

  • Tom,
    I don’t want to put words in Matt’s mouth, but my read of his comments (and my own opinion) is that PW should not institute a quota-type system for reasons of political correctness. My take is that PW should take a look at the processes it used to arrive at this list and see if they can uncover some methodological bias. Obviously, any list-making scheme is going to be biased in some way, and you can certainly find bias in this list in more ways than the male-to-female ratio. However, given that it was 10 – 0, it doesn’t seem like this is asking too much.

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