The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

  • Graatch: Where are Bae Suah's translated novels available?
  • Yuki: Silly review. His ghostly dialogue has been part of the desi
  • WD Clarke: I just stumbled upon this 5 years late, but I appreciate the
  • Lance Edmonds: I agree with the above comment. I've regulated him to litera
  • Andrija F.: The novel's so bland it doesn't and can't provoke deep insig
  • Will: I saw that and just made the face you make when someone says
  • Johnb440: Hmm it looks like your site ate my first comment it was extr

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

Generosity Gets Dinged Again

Apparently it's not just the prose by also the science that's bad:

The Caspi results, reported in Science, were never neat. Children with two copies of the protective gene might suffer depression unrelated to painful events. And older studies conflicted with the new research. In Against Depression (2005), I wrote that the Science report had "raised eyebrows on a number of grounds," and I expressed doubts that the finding of absolute stress immunity would hold up.

When it came, the debunking was dramatic. In June of this year, scientists reviewing numerous studies for the Journal of the American Medical Association found no evidence that the serotonin gene offers stress protection or, indeed, any protection from depression.


Powers' book turns on the notion—now cast in doubt—that the right genes can make a person absolutely invulnerable to stress.

To be fair, some reviews have made the claim that the plausibility of the science isn't really a point in the book–that is, it just imagines a universe where this is true and goes from there.

The review also notes that the prose is bad as well:

Worse, despite the high-literary devices, Powers clings to the low-art techniques of genre fiction. Here, I should confess to a bête noire, intolerance for the method (I date it to Ian Fleming's naming of Gordon's Gin and Kina Lillet in James Bond's Vesper martini) of signaling a character's worth by cataloging his tastes in branded products

I'll also note that the review picks up on the same disregard for nuance that Wood elaborates in his piece. For a dissenting opinion, see John Domini's positive review in Bookforum, as well as Michael Orthofer's review.

More from Conversational Reading:

  1. James Wood’s Richard Powers Takedown I’m one of those people who has fallen off the Richard Powers bus. When I first read him I had a very favorable impression, but...
  2. Is Richard Powers Evan Dara? Novelists Richard Powers and Evan Dara are often grouped together because they both write lengthy, info-packed narratives that draw heavily from science. Some have even...
  3. Powers Speaks A few weeks ago, I posted an excerpt from an interview where Richard Powers explained that he creates his books not by writing, but by...
  4. Bizarre Creepy science meets art. Maybe Richard Powers could work it into his next novel. ...
  5. Fredric Jameson on Dystopia Inspired pairing at the LRB. Who will recount the pleasures of dystopia? The pity and fear of tragedy – pity for the other, fear for...

Related posts brought to you by Yet Another Related Posts Plugin.

6 comments to Generosity Gets Dinged Again

  • Strikes me as very weird to attack style on the basis that the writer is using so-called “low-art techniques”. This attitude seems to plague a lot of literary fiction reviews. I thought the divide between high and low had been shown, ages ago, to be a very silly one.

  • True, getting the science right isn’t the point, but in novels where the science is wrong, the science typically gets used crudely. Fictional scientific conclusions/analyses often are a little too neat and campy, and, to me anyway (I’m a geneticist), are very shallow compared to the messiness and ambiguity of real science. I haven’t read Generosity, but I found that the science was very mediocre in Echo Maker – it came across like a parody of science, not much like the real thing. Powers uses a lot of jargon, but doesn’t work very deeply with the concepts.
    Wood criticized Powers for always making his scientists talk like scientists. I don’t think they even talk like scientists.
    Working scientific themes into a novel is not simply about getting the facts right (or wrong) – it’s about going beyond jargon and superficial metaphors and working the scientific concepts more deeply into fiction. I’m not as widely read as any of you here, but one of the best at this that I’ve read is Pynchon. For example, he barely mentions General Relativity (or Einstein) in Against The Day, but he does amazing things with the concept and its historical precursors.

  • Hey Fausto,
    I think that was poor phrasing on the part of the writer. He meant to criticize such things as Powers’ characterization by the brands of products that a character buys, but I don’t think it was a dig at “low” art in general.
    Obviously that kind of technique has a correct time and place, but if I’m reading the review correctly the reviewer’s quibble was trying to use this kind of characterization in an ostensibly realist work, where there are better ways to characterize.

  • John Domini here, & I’m unfamiliar w/ this blog or the background of this discussion — rather, someone just steered me this way. But I do know literature & criticism, & I must point out that Wood’s piece in the NY’R bears glaring earmarks of bad reading, most esp. a mean-spiritedness. Note that he won’t give Powers credit for anything, that he trashes the man’s entire oeuvre, reducing dozens of characters & situations & conflicts to the narrowest sort of paradigm. Note also Wood’s insistence that a long-gone Classic like Thomas Hardy did it better (oh sure, the dead were *always* better), while ignoring the overwhelming differences of Hardy’s status, stories, century…
    Powers must be understood as a social novelist, fundamentally: reliant on research & verisimilitude to explore the challenges we live w/ now. In that mode, he’s one of the best this country ever had, demonstrating enormous invention & versatility in creating scenes & locating points of view, in order to dramatize. Pychon’s not really a good comp; Pynchon’s much more about alternative worlds. Powers uses science in the way it affects most ordinary citizens & the choices he or she has to make.
    W/ that in mind, GENEROSITY is a substantial departure for Powers, more rich w/ experiment than any previous novel, & intended to an extraordinary degree as a comedy. For what it’s worth, this novel was my favorite of the five of his I’ve read.

  • Hi John,
    Thanks for clarifying your views vis a vis Powers. I agree that Wood is often needlessly mean-spirited in his reviews . . . it’s unfortunate, and I doubt it does him much good.
    I hope you’ll check out the site, as I think there’s much you’ll like here. Also check out our affiliated magazine, The Quarterly Conversation: http://quarterlyconversation.com/

  • Scott, ciao,
    TQC is a fine place, one I’ve visited several times, & I’m glad to say so right here in the sunshine.
    You may recall that you & I corresponded briefly about my new novel A TOMB ON THE PERIPHERY.
    Thanks for asking, John

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>