Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
Interviews from Conversational Reading  See this page for interviews with leading authors, translators, publishers, and more.
|
Geoff Dyer Interview
Geoff Dyer is interviewed at Guernica re: Zona.
Geoff Dyer: I’m so conscious of this at the moment, because I’m writing a little book [about two weeks spent on the USS George Bush] for which I can’t get the tone. That, I feel, is not so much a perspiration thing, it’s more a luck thing, really, and you kind of arrive at it by trial and error: this works, that doesn’t work. I mean, the book I’m writing now, the most rudimentary thing—which is suggestive that I’m about that far away [does international pincer-gesture denoting small things] from having a stroke—I can’t even decide whether it should be in the present or past tense. Because that’s not just a question of hitting Edit and changing “is” to “was”—everything changes with that. But, yeah, the tone thing is all-important. Especially for a book like Zona.
You Might Also Like:
More from Conversational Reading: - Some Geoff Dyer Links Right now I'm reading Otherwise Known as the Human Condition for a review, and it reminds me of just what a good, versatile critic Geoff...
- Geoff Dyer and Colin Marshall Dyer interviewed on The Marketplace of Ideas. “My parents’ view of the world was just too simple: it was suited to the Depression but not...
- Is Geoff Dyer Really a Novelist? Count me as a fan of Geoff Dyer. I loved his off-kilter work of photography criticism, The Ongoing Moment, and I've enjoyed his occasional review...
- Dyer Slams Wallace in Prospect I have great admiration for Geoff Dyer as a critic, so I'm going to repress the urge to call this David Foster Wallace mini-takedown a...
- Sante on Dyer In the new BookForum, Luc Sante reviews Geoff Dyer's new collected-writings book, Otherwise Known as the Human Condition. I've got a review of this upcoming...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
Oulipo Panel
Stealing from Conversational Reading
The Names by Don DeLillo (1982)
The Box Man by Kobo Abe (1973, English 1974)
Head in Flames by Lance Olsen (2009)
Agaat by Marlene van Niekerk (2006, English 2010)
The Weather Fifteen Years Ago by Wolf Haas (2006, English 2009)
You Say