The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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George Anderson Notes for a Love Song in Imperial Time
Heady praise at HTMLGIANT for George Anderson: Notes for a Love Song in Imperial Time and Peter Dimock in general.
But leaving aside the novel’s structure, it has a special quality in its DNA: It invites—and requires—re-reading. There are countless writers today producing well-written and entertaining novels that one reads, but forgets, as soon as the last page is turned. Dimock is clearly different, though what he does is not so clear.
Now Dimock has produced a new novel, with a new narrator and a new method that doubles down on the wager that its puzzling surface will convince the reader to re-read a complex text as he gradually locates cracks and instability in the novel’s representations. Something happens within the reader who makes that attempt. In the afterword to George Anderson: Notes for a Love Song in Imperial Time, Dimock states quite plainly, “I [am] convinced…that Americans lack a language adequate to the history we are now living.” Dimock’s novel proposes a new path and opens a door to it.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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