The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com
  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
  • How They ThinkHow They Think

    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
  • FlamethrowersFlamethrowers

    It's kind of amazing that the NYRB published Frederick Seidel's lazy review of The Flamethrowers by Rachel Kushner, one of last... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Graywolf to Publish Daniel Sada’s “Almost Never”

DanielSada_CL
I've just heard from Graywolf that they've acquired the rights to Mexican novelist Daniel Sada's book Casi Nunca ("Almost Never"). The book is scheduled for U.S. publication in 2010 or 2011. You can read a review of Casi nunca at Letras Libres.

This is great news, as it marks the first English translation of a major contemporary Mexican author, a man often compared to the likes of Juan Rulfo and even Roberto Bolano.

Sada was among the authors selected for Dalkey's recent anthology, Best of Contemporary Mexican Fiction, and I found Sada's contribution good enough to single out in my review:

The feel of “The Woman in the Red Coat” is similar to that of Daniel
Sada’s “The Ominous Phenomenon.” Here, and for virtually the only time
in the collection, we finally see Mexico’s poor close up, and although
these rurals are possibly illiterate, this story still feels the most
Bolañoian in the collection. As with so much of Bolaño, “The Ominous
Phenomenon” narrates a perfectly purposeless tale full of trivial peaks
and valleys that finally just up and quits before reaching any sort of
climax. It is also the anthology’s grittiest work, the one that feels
the most in the tradition of Rulfo’s peasants.

This is the story: A poor man has been stationed by a landowner on a
“ranch” in the middle of the desert, where there is little for him to
do other than eke out a life of subsistence. One day the landowner
deposits another man with him and charges them to “make bricks,” a job
that necessitates a painful trek over the sun-scorched earth to bring
back precious water for mud, water that should more properly be drunk
by two men who, it becomes clear, are abandoned in the desert. Why are
they making bricks? Will the boss even come back to inspect their
progress? Who knows? After negotiating some minor brushes with machismo
likely to occur between two such men in such a situation, Sada leaves
them, the bricks unmade, the daunting task of dragging back the water
still ahead, neither man any closer to any sort of answer, or even an
explanation.

More from Conversational Reading:

  1. Daniel Sada Interview Moleskine Literario points me to an interview with Daniel Sada, the Mexican novelist whose book Casi nunca previously caught my attention. Now I'm doubly interested...
  2. Someone Translate Daniel Sada After reading this review in Letras y Libres, I’m amazed that none of Daniel Sada’s novels are available in English. (Although, to Dalkey’s credit, a...
  3. How to Publish in a Recession: Chelsea Green’s Margo Baldwin Margo Baldwin: It needs to reinvent itself: get rid of returns and huge advances and all the waste inherent in the system. Amazon has perfected...
  4. How to Publish in a Recession: New Directions’ Declan Spring Declan Spring: I’d say pretty gloomy, but like many industries, publishing’s only starting to see the results of the economic collapse. What’s nerve-wracking is the...
  5. How to Publish in a Recession: Soft Skull/Counterpoint’s Richard Nash Richard Nash: There are several distinct things going on at once. The first is the macro-economic problem which is indeed giving cause for gloom as...

Related posts brought to you by Yet Another Related Posts Plugin.

2 comments to Graywolf to Publish Daniel Sada’s “Almost Never”

  • This is great news, as you said, Sada’s one of Mexico’s greatest contemporary authors. Often overlooked. People tend to mention those before, and those after (Rivera Garza, Volpi and his fellow Crack members, etcetera)forgetting his great ouvre.
    However, I wonder what you mean when you describe his work as Bolañoeian, as itg is something I’ve been reading a lot about in the US-translators circle. Better said, I know what you mean, as there’s a certain bolañesque aura that surrounds most of Bolaño’s work, which is great, and yet it seems to me that his extreme success in the US is being counterproductive to the rest of the continent’s literature (even if it has no need to be productive in the first place). The whole field is being divided between the leftovers of the Boom’s magical realism and the new Bolaño-like wave.
    I mean, commercially, it makes sense. It’s a great way to garner new readers, but in the long run it could end up biasing possible future readers.
    Nonetheless, it makes me happy to note the appearance of Aira, Roncagliolo, Cristina Rivera Garza, among others.
    Cristina Rivera Garza has, in my opinion, written one of the best novels about Mexico in Nadie me verá llorar (which I think’s available in english).

  • [...] exists in English. To my knowledge, no book of his has been translated, although Graywolf is in the process of doing Casi nunca (“Almost Never”). (Apparently it’s given translator Katherine Silver, [...]

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>