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Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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Great Chris Andrews Interview
For my money, Chris Andrews isn’t just one of the best translators out there; he’s also one of the most intelligent and articulate. To wit, this interview, conducted by Will Heyward for BOMB magazine. Loads of good talk about Bolano & Spanish-language writers.
One thing that makes [Bolaño’s] work distinctive is that there is a kind of double genealogy, in that Argentinean prose fiction writers like Borges and Cortázar and Puig are very important for him, but so too are Chilean poets, like Nicanor Parra and Enrique Lihn and Jorge Teillier. He read very widely in Latin American literature generally, in North American literature (he was an admirer of Don DeLillo, for example), and in European literature (I suspect that Bernhard did have an influence on the “rant books,” By Night in Chile and Amulet). One of the tasks of Bolaño criticism in the years to come will be tracing all these influences. Critics may eventually get hold of his notebooks and journals, which I’ve seen in a television documentary.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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