I Made The New York Times!

I wanted to share the good news that I have a book review in today’s issue of The New York Times Book Review. It’s of The Endless Summer by the Danish trans author Madame Nielsen—so it’s a work in translation, by a queer, female-identifying author. I don’t think there will be too many more authors that fit that profile in the Times this year.

This is my first ever writing for the Times, and, well, it’s interesting how people look at you differently when you tell them you write for The New York Times. Even with all the changes in book reviewing and literary culture in the past decade or so, this venue is still a huge cultural signifier, and virtually the only place that could grant a writer that kind of universal acknowledgement.

Some other things to share: I’ve got some interviews in the works for Conversational Reading. One of them is with all-star translator Christina MacSweeney, where we’ll be talking her latest translation, Tomb Song by Mexican author Julian Herbert.

I also have an essay upcoming in the first issue of the new journal Egress, from Little Island Press. Little Island is a rather interesting new press, as it launched last year with a title from Gordon Lish, and it has a fascinating (and award-nominated) catalog. David Winters, who is a very smart critic and a long-time friend, is the editor of Egress, and I think it will be quite good.

I’ve already shared the first half of this essay with my Patrons, and I’ll be sharing the whole thing once the issue publishes. If you want to get the essay, you only need to donate $3 per month, and that entitles you to tons of other great downloads, including copies of The Missing Books and other ebooks of mine.

Further down the line: I’ll be embarking on a long-overdue redesign of The Quarterly Conversation this year. (More on that down the line.)

And lastly, I did my first event of 2018, up in Sausalito (that’s in Marin County, a little northwest of Oakland, CA; just across the Golden Gate Bridge from San Francisco). It was a reading of The Doubles with the literary reading series Why There Are Words. Here’s a pic of me at the reading with my partner.

Recent Posts

Criticism Isn't Free

CR is dedicated to thoughtful, in-depth criticism without regard to what's commercially appealing. It takes tens of hours each month to provide this. Please help make this sort of writing sustainable, either with a subscription or a one-time donation. Thank you!

You could also purchase one of my acclaimed ebooks.

Got Something To Say:

Your email address will not be published. Required fields are marked *



The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

Shop though these links = Support this site

Copyright © 2019. Powered by WordPress & Romangie Theme.