The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

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Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

I Wouldn’t Have Guessed That

Lev Grossman talking about reviewing books is a little like that 50 Shades of Grey person talking about bring an author. Here, Grossman talks about how he picks books for review:

But then there’s the signal – that delicious, delicious signal. People often ask me how I choose books to review. There’s no simple answer; also no especially interesting answer. I review books if they do something I’ve never seen done before; or if I fall in love with them; or if they shock me or piss me off or otherwise won’t leave me alone; if they alter the way my brain works; if I can’t stop thinking about them; if for whatever reason I absolutely have to tell people about them.

I haven’t always done it that way. Early on in my career I spent a lot of time trying to figure out what I thought other people would want me to review, and what I thought other people would fall in love with, and then reviewing those books. But the truth is I was just guessing, and when I did I generally guessed wrong. Over time I retreated to the following position: I am a book-loving human being, and if I love something, then some other book-loving human elsewhere will probably love it too.

I don’t doubt that Grossman follows his heart, but c’mon, he’s following his heart within a very limited range of choices. Just look at his top 10 list from 2011 and try to find a book that wasn’t published by a major American publisher and wreathed with praise from just about every dependable organ of book reviewing in the United States.

I bring this up because immediately before this Grossman talks about the 30 or 40 books that arrive at Time magazine every day, no doubt many from worthy small presses that would die for the kind of attention Time could give. And this is to my point—I’m sure Grossman is a honest, decent guy, but the PR push (read: dollars spent) that a publisher puts behind a book, plus the fact that Time has certain audience expectations that must be met (and Grossman’s periodical isn’t unique here by a long shot), means that those sorts of books have no chance of being covered by this kind of a publication.

I’m fine if Grossman wants to go around saying he’s a book reviewer, but let’s not mistake what he’s doing here: in most cases he’s functioning as an adjunct of a publisher’s marketing department, essentially adding whatever institutional and personal authority he has to the marketing push for a book that has almost certainly been acclaimed 10 times over by “reviewers” that are similarly empowered. In other words, what I’m saying is there is no need for a Lev Grossman review of Freedom, whereas there could be a plausible justification for a Lev Grossman review of My Two Worlds. Using Time magazine to help push a book such as the latter would be to help literary culture emerge from the morass of dull, mainstream novels that it seems destined to remain mired in perpetually, whereas using Time to push the former is only to perpetuate a system of mediocrity.

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5 comments to I Wouldn’t Have Guessed That

  • Bill

    Of course TIME and other major publications are merely “an adjunct of a publisher’s marketing department”. I wonder why people aren’t sick of it. As soon as it makes the pages of TIME, it’s on Fresh Air, Krasny’s “Forum” interviews the author, then it’s on Tavis Smiley, next is “To the Best of Our Knowledge”…. by then I am totally sick of hearing about it. Why can’t the whitebread liberals, stuck in this echo chamber, demand more? I’ll tell you why – because they don’t really care, they don’t love books, they just wanna be hip ;ole all their friends who will surely ask “Have you read…?”

  • Sawn

    This is a similar theme to the Atlantic article about all the hype and pr surrounding “that baseball novel”, which allowed it to reach best seller status and had readers thinking it ust be good if everyone is talking about it. Last week it even ended up on top of The Beievers readers poll of best works of 2011. I am convinced only because everyone fell for the hype. I almost did myself, but took a step back before I hit ok on my amazon purchase, and thought “wait if it ends up actually being so great, I can always borrow it from te library 4 blocks away!” I fell or stupid pr a couple times last year – We The Animals and The Family Fang – both also kinda shitty books (Fang moreso) that made it to the Believer’s readers poll.
    My local indy bookseller is bringing me a copy of Naked Singularity – this website sure as heck had better be steering me right! :)

  • This can never be overstated. George RR Martin blurbed Lev. Logrolling Lev named A DANCE WITH DRAGONS as his #1 book in 2011.

    http://www.time.com/time/specials/packages/article/0,28804,2101344_2101086_2101104,00.html

    Adjunct of a publisher’s marketing department is an understatement.

  • Lev Grossman’s heart sings to him songs of career-minded opportunism. I haven’t read more of 50 Shades of Grey than the online excerpts, but I have read The Magicians. They are not all that dissimilar.

    It’s amusing that Grossman’s rejection of “hatchet jobs” (actual criticism) and his novels are both grounded in his assertions on becoming an adult.

  • [...] Esposito appropriately enough questions how candid Grossman is being, pointing out that his sinecure at Time necessarily constrains [...]

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