Lady Chatterley’s Brother The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle for 99 cents.
|
Shop though these links = Support this site
Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
|
In the United States of Africa Review
Chad reviews a book whose premise is that Africa is as rich as the U.S., and the U.S. is as rich as Africa:
In the opening pages we’re introduced to Yacuba, a “flea-ridden Germanic or Alemanic carpenter” who has fled AIDS-ridden, poverty-stricken Europe in hopes of a better life in the much wealthier and cleaner United States of Africa. Through Yacuba we’re introduced to a world where Quebec is at war with the American Midwest, where the “white trash” of Europe speak an undecipherable “white pidgin dialect,” and where the African media fans the flames of intolerance:
Surely you are aware that our media have been digging up their most scornful, odious stereotypes again, which go back at least as far as Methusuleiman! Like, the new migrants propagate their soaring birth rate, their centuries-old soot, their lack of ambition, their ancestral machismo, their reactionary religions like Protestantism, Judaism, or Catholicism . . .
According to Chad, Abdourahman A. Waberi's 134-page In the United States of Africa makes that premise work. I'm intrigued to read it for myself.
You Might Also Like:
More from Conversational Reading: - Vollmann Interview in Rain Taxi If you’re at all a fan of William Vollmann, you’ll want to check out the interview with him in the Summer Rain Taxi. It’s only...
- Crossroads Chad Post talks translations with the Germans. (via) Chad Post:I believe that there is a condition of economic censorship in the United States. We have...
- New European Poets Review Three Percent has a review of New European Poets, a new poetry collection that sounds rather impressive: 45 nations, 290 poets, and The motivation behind...
- Milk, Sulphate, and, Alby Starvation Review Milk, Sulphate, and Alby Starvation, by Martin Millar, has to be one of the stranger books that’s come out of the U.K. in a while....
- The Howling Miller by Arto Paasilinna review The Literary Saloon has reviewed an interesting book. In linking to the review, they note that the author’s (Arto Paasilinna’s) works are exactly the sort...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say