Interesting New Releases: November 2016


Here are a few new releases for the month of November 2016 that have caught my eye. All of these, and many, many more new releases, can be found on my Interesting New Books — 2016 page.

Thus Bad Begins by Javier Marías Nov 1. New Marías is always a moment. Been hearing lots of good about this one.

Kafka: The Early Years by Reiner Stach Nov 1. Final volume of a bio of Kafka that will break new ground for the English-language reader.

Landscapes: John Berger on Art by John Berger Nov 1. Major new work from John Berger at 90. You gotta love it.

The Voynich Manuscript Nov 1. Nobody actually knows how to read this. Maybe you’ll decode it!

The Beach at Night by Elena Ferrante Nov 1. Elena for your children.

The Apparently Marginal Activities of Marcel Duchamp by Elena Filipovic Nov 4. New take on Duchamp.

Pieces of Soap: Essays by Stanley Elkin Nov 15. Beloved essay collection by one of America’s most respected experimental authors.

Wayward Heroes by Halldor Laxness Nov 1. A new translation of Laxness is always a big deal.

The Attraction of Things by Roger Lewinter Nov 1. Short and vvvery powerful.

Nocilla Experience by Agustín Fernández Mallo Nov 8. If you dig experimental, pomo lit, Book 2 in the Nocilla trilogy.

Spooky Action at a Distance by George Musser Nov 14. I liked this a lot last year in hardcover.

Thomas Bernhard: 3 Days by Thomas Bernhard Nov 15. Bernhard talks about himself for 3 days; so probably brilliant and horrifying at once.

The Post-Structuralist Vulva Coloring Book by Elly Blue and Meggyn Pomerleau Nov 15. I’m not actually recommending this, I just think it’s one of the most oddly specific titles I’ve ever seen.

In Praise of Defeat: Poems of Abdellatif Laabi Nov 15. One of the major poets of North Africa.

Chronicle of the Murdered House by Lúcio Cardoso Nov 21. Classic of Brazilian lit, for the lovers of Faulkner. Supposedly Clarice was a big fan.

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The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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