Interviews on The Surrender

Over the past couple weeks, two interviews with me on The Surrender have been published.

The first is with my good friend Emma Ramadan, translator of Sphinx by Anne Garréta, among many other things, and soon-to-be bookstore co-proprietor (in Prividence, RI). Here’s the interview.

I could dress as I wished in private, and I could enjoy the sensations and textures that are not possible with men’s clothing. I derived benefits from this, but so much of one’s personality is only unlocked when you are in public and able to interact with other people. It goes back to what I said before about meaning being social: what does it mean to be a good person or a bad person, or generous, or crafty, or wicked, or kind, if there is no one for you to interact with? Can you be mean if there is no one and nothing to be mean to? These traits only assume their full meaning in the presence of a society. Well, my sense of myself as masculine or feminine is the same. My appearance can only signify to the world what I am if there is someone out there to signify to.

And the wonderful journalist and soon-to-be-author Tobias Carroll interviewed me for Vol. 1 Brooklyn.

The first time I encountered part of The Surrender was when “The Last Redoubt” appeared in The White Review. It’s located in the middle of the book here, and I’m curious – when you wrote it, did you already know that it was part of a larger whole?

No, I had no idea! When I originally wrote “The Last Redoubt,” I thought this would be all that I wanted to say in writing on the matter of my gender, crossdressing, etc. But then, after I finished the essay and published it, I found that it had enabled me to think about new questions that had never been possible before for me. So as I began working through these new questions that “The Last Redoubt” had opened up, I realized that this essay was actually the hinge of a much larger set of questions that I could investigate about myself. Thus, I began writing The Surrender.

And, in fact, now that The Surrender has been published I am finding that the same thing is happening all over again. . . .

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The Surrender is Veronica Scott Esposito’s “collection of facts” concerning how she embraced her true gender.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

From there the book moves on to the second essay, which explains just why Spaniard Javier Marías does right what Baker does wrong . . .


5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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