Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
|
Is French Literature Dead?
Nice to know we American's aren't the only ones who can ask trivial questions about the death of things. This time it's an unnamed French magazine asking the question, and the translator (of Pynchon, Vollmann, Gass, and others) and novelist, Claro responds, in French.
Lauren Elkin translated and republishes his response on her blog:
What bothers me is not that it is provocative (and, to say the least, absurd); no, what bothers me (not that I'm losing sleep over it) is that it contributes tot he reification of this disastrous notion of "French literature" as a defined body of work, a paper entity, go figure– and the question of the morality of this corpus, whether or not this is in question, conspires to personify an object of study which is all the same difficult to define . . .
So contested is the idea of French literature in the writers' responses in said article, that the mere fact that [the editors] thought it might produce something useful says more about literary criticism than it does about literature.
Amen.
You Might Also Like:
More from Conversational Reading: - Beckett Lectures on Literature The Guaridan: In 1961 an American academic, Tom Driver, quizzed Samuel Beckett about the confusion he found in his writing. Beckett replied: "The confusion is...
- Rebecca Solnit Was Almost Crushed by French Paper Mache Statues Seriously, the above fact was revealed by Rebecca Solnit herself. By her own account, one of my favorite contemporary non-fiction authors was almost taken from...
- The World Sphere of Literature The book: The World Republic of Letters The contention: There is a "world republic of letters" analagous to the international political system. Entrenched by hundreds...
- French Prizes If you’re riding high off the Booker and Nobel and wondering where your next lit prize fix will come from, the Lit Saloon has got...
- The Dead Write Good Richard Wright becomes the latest dead author to publish a book that he didn’t manage to complete while alive. ...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say