The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com

You Say

  • Graatch: Where are Bae Suah's translated novels available?
  • Yuki: Silly review. His ghostly dialogue has been part of the desi
  • WD Clarke: I just stumbled upon this 5 years late, but I appreciate the
  • Lance Edmonds: I agree with the above comment. I've regulated him to litera
  • Andrija F.: The novel's so bland it doesn't and can't provoke deep insig
  • Will: I saw that and just made the face you make when someone says
  • Johnb440: Hmm it looks like your site ate my first comment it was extr

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Nostalgia June 15, 2014
    Few habits are as prone to affliction, or as vulnerable to an ordeal, as the bent of a peddler’s consciousness. Placeless, the peddler completes an untold number of transactions; there are ideas to conduct (through language, which can transact a mind) and feelings to certify (through tasks, repeated interminably). […]
  • Why Literary Periods Mattered by Ted Underwood June 15, 2014
    There are some writers who are, and likely always will be, inextricably linked to the “period” with which their work is associated, and in many cases helped to define. Surely Wordsworth and Keats will always be “Romantic” poets, while Faulkner and Woolf will remain modernists, as the term “modern” has been fully appropriated to describe the historical era be […]
  • Trans-Atlantyk by Witold Gombrowicz June 15, 2014
    August 1939. You sail to Buenos Aires on the Chombry as a cultural ambassador of Poland. Why say no to a little holiday on the government’s tab? Soon after arriving you sense that something isn’t right. You emerge from a welcome reception and your ears are “filled with newspaper cries: ‘Polonia, Polonia,’ most irksome indeed.” Before you’ve even had a chance […]
  • Accepting the Disaster by Joshua Mehigan June 15, 2014
    The first collections of most young poets, even the better ones, carry with them a hint of bravado. Flush with recognition, vindicated by the encouraging attentions of at least one editor and three blurbists, the poet strikes a triumphant pose and high-fives the Muse: “We did it, baby.” When Joshua Mehigan published his impressive first collection, The Optim […]
  • The Histories of Herodotus, translated by Tom Holland June 15, 2014
    Two of the greatest of Tom Holland's predecessors in translating Herodotus are Victorian scholar George Rawlinson and Aubrey de Selincourt; the former translated Herodotus in 1860, making an enormous hit (despite the fact that its detractors often referred to it as “dull and prolix"), while the latter's 1954 Herodotus was another enormous hit, […]
  • Bullfight by Yasushi Inoue June 15, 2014
    The premise of Yasushi Inoue's debut novella Bullfight, celebrated in Japan as a classic of postwar literature, is unassuming enough: an evening newspaper sponsors a tournament of the regional sport of bull-sumo. As practical and financial issues arise, the paper's young editor-in-chief, Tsugami, soon realizes he has taken on more than he can handl […]
  • Sworn Virgin by Elvira Dones June 15, 2014
    Sworn Virgin was made to be translated. Elvira Dones wrote this book not in her native language of Albanian but in Italian—a necessarily fraught and complicated decision. In an Italian-language interview with Pierre Lepori, Dones speaks about her choice of language: “Sworn Virgin was born in Italian . . . I’ve lived using Italian for nineteen years, it has s […]
  • On the Letters of David Markson June 15, 2014
    Knowing these narrators and how their lives paralleled David’s own, it’s difficult to deny his being a recluse. I certainly held that image of him, and nursed it, secretly cherishing it because it meant I was one of the few people with whom he corresponded, and with whom he would occasionally meet. Arranging our first meetings in person was something of a ni […]
  • Storm Still by Peter Handke June 15, 2014
    Storm Still (Immer Noch Sturm) does not necessarily represent new terrain for Handke. Originally published by Suhrkamp Verlag in 2010 and now available for English-language readers thanks to Martin Chalmers’ fluent translation, the play chronicles the dissolution of the Svinec family, a family of Carinthian Slovenes—a quasi-fictionalized version of Handke’s […]
  • Red or Dead by David Peace June 15, 2014
    David Peace's novel Red or Dead is about British football, but it partakes in the traits of Homer's epic. This is a novel about the place of myth and heroes in modern society, about how the cyclical rhythms of athletic seasons reflect the cyclical patterns of life. It is a book about honor and fate, and one which bridges the profound, dreamlike ter […]

John Biguenet, Rising Water; Horacio Castellanos Moya, Senselessness

Risingwater
We are not lacking for literary responses to Hurricane Katrina; the one that has engaged me the most so far is playwright and novelist John Biguenet’s. As a New Orleans resident, Biguenet wrote about the disaster’s aftermath for the NY Times. He also used the disaster as a backdrop for a play, Rising Water (video info and stills from the performance), the first of a trilogy considering Katrina. After hearing him speak about it, I hope it’s coming to the Bay Area soon.

I recently had the opportunity to see Biguenet discuss Rising Water at an event put on by the Center for the Art of Translation. The play involves a couple trapped in the attic of their house, watching the water slowly creep up the stairs and into their refuge. As Biguenet explained, their likely fate was rather unenviable: many real-life Katrina victims did just as the couple in the play did, climbing from living rooms to attics as the water invaded their home. The lucky ones were able to punch out a window and escape to the roof before the water enveloped their home completely; those that didn’t faced likely dehydration and death while waiting for rescue that was criminally slow in coming.

This was an event by the Center for the Art of Translation, and though Biguenet published his play in English, there is translation involved. For the play, he integrated a haunting short story he wrote about the wife and daughter of a ship’s captain who died and are buried at sea. For the play, the story is told by one protagonist to the other as they pass the time it the attic. Biguenet read his story to us, and then we watched the "translated" version by performed by two actors as a story-within-a-story in the play.

After the performance, Biguenet discussed the metaphorical significance of the water in his play. He considered the play primarily about the couple’s very personal response to crisis and likely imminent death. Only secondly was it about the disaster, and for him with water worked on multiple levels: he mentioned the titular rising water being something that every couple faces, either as strife due to a souring relationship or as an inevitable part of life and death. He said that the story he translated into the language of the stage was a way to implicate the hurricane while maintaining focus on the central relationship.

Moya
The week following Biguenet
, I saw novelist Horacio Castellenos Moya read from his new novel, Senselessness, at City Lights. Moya is either an aspiring actor, someone who has internalized the narrative voice of this novel, or simply a person who has given this reading many, many times, because his interpretation of the protagonist’s inner monologue was spot-on. Moya speaks English with a heavy accent, and this perfectly suited the narrator, especially as Moya repeatedly returned to the narrator’s refrain: "I am not compleet in de MIND."

Moya read from the novel’s first pages, in which two things are repeated again and again: "I am not complete in the mind" and "one-thousand-one-hundred pages" (the length of a report on atrocities the narrator is editing). Hearing Moya speak these refrains with emphasis and color hammered home the importance that these two quotes have for the novels opening section. Hearing Moya read also worked as a curious kind of re-reading–while he read I started seeing new associations between the starting chapter and the rest of the book.

Publisher Barbara Epler and translator Katherine Silver were also on hand for the event. I was surprised to hear Epler say that she had first learned of Moya from novelist Francisco Goldman, who had also first brought Roberto Bolano to her attention. At the event, Epler mentioned that the next Bolano novel from New Directions would be The Ice Rink, and that, in addition to his poems and novels, they will be publishing a book of his essays. Epler mentioned that much more Cesar Aira is on the way, as well as another novel from Moya (I’ll be eagerly waiting), with a title currently translated as "She-Devil in the Mirror."

You Might Also Like:

More from Conversational Reading:

  1. Rick Moody Needs To Thank John Leonard This, more than anything I’ve read, seen, or heard (including a live appearance by Moody at City Arts and Lectures), makes me want to read...
  2. John Freeman´s Experiments John Freeman reviewing Only Revolutions: The stunning lack of experimentation in American fiction during the past two decades partly explains why [Mark Z. Danielewski´s] 2000...
  3. John Cowper Powys John Cowper Powys gets an essay in the latest Guardian Review. Words poured from him, and he was famous for never rereading any of them....
  4. John Henry Days — Colson Whitehead John Henry Days, Colson Whitehead (Anchor Books: 2001) "Race and Modernity in Colson Whitehead’s The Intuitionist", Michael Berube, published in The Holodeck in the Garden:...
  5. 3x Bolaño in The Nation Roberto Bolaño gets triple coverge in The Nation, including, impressively, a review of one of his titles not yet available in English. Happy as I...

Related posts brought to you by Yet Another Related Posts Plugin.

6 comments to John Biguenet, Rising Water; Horacio Castellanos Moya, Senselessness

  • Thanks for the summary of the Moya reading. Sounds like he should put out an audio book! I just picked up Senselessness the other day based on reviews here and elsewhere. The description as “Bernhardian” is what hooked me.
    Are there any other writers who do the Bernhardian thing well? The only one I can think of offhand is Tim Parks, particularly in Europa and some of his other novels. (Or at least they struck me as mimicking Bernhard somewhat — I don’t know if that’s a common opinion.)

  • Drew North

    I believe I read an excerpt of the Moya novel at the Words Without Borders website some time ago – the writer who came to mind at the time, rhythmically, was Saramago. Would anyone familiar with both care to make a comparison?

  • Kevin,
    You should see the review over at Ready Steady Blog. That’s the best one I’ve seen on the Bernhard connections, and I’m sure the review’s author could help you out with other Bernhardians.
    Drew,
    I’ve read one of Saramago’s novels; based on that I think there’s a fairly lare gap between Saramago and Moya. Moya’s sentences (again, on the evidence of one novel) keep changing register and direction, whereas Saramago’s seem more monotonic.

  • Scott, thanks for the pointer.
    I’ve read a few of Saramago’s novels and I’d agree with your comparison. Saramago is more run-on, fast-paced, and Bernhard is more musical in a sense, with repetitions and emphasized phrases.
    Another long-sentence writer is Bohumil Hrabal. He fits somewhere between Saramago and Bernhard on this scale, I think.

  • Drew North

    Thanks to you both for the feedback. I’ll seek the Moya out through the Denver Public Library. Saramago has a new novel being published in the U.S. in November, and I hope you will both take a look at it.
    Also, regarding a post or two north of here, I am halfway through the Agualusa novel, and, for what it is worth, I would put it in or around the top ten novels I’ve read this year.

  • Zoloft.

    Zoloft. Zoloft side effects.

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>