The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Legacy by Sybille Bedford March 15, 2015
    Sybille Bedford had the benefit—or bad fortune, however you see it—of being born into the German aristocracy in 1911. Her father was a retired lieutenant colonel and art collector from the agrarian south, from a Roman Catholic family in fiscal decline. Her mother came from a wealthy German-Jewish family from Hamburg. A widower from his first marriage, Bedfor […]
  • Reviving Antal Szerb March 15, 2015
    Antal Szerb’s lithe, lively, and wholly endearing fiction is peopled by male dreamers on spiritual journeys of self-discovery. Each one sets out on his respective mini-mission with good intentions but knows from the outset that there are only so many harsh truths he can withstand. In this respect, all Szerb’s protagonists seem to have heeded the advice of Gr […]
  • 39 Africans Walk into a Bar March 15, 2015
    New anthologies of African fiction seem to materialize virtually every year, if not more often in recent years. When presented with the physical fact of yet another new anthology of African fiction, the immediate question, one which I was asked when I pressed the warm, bound pages of the Africa39 anthology into the even warmer hands of a new acquaintance, wa […]
  • The Country Road by Regina Ullmann March 15, 2015
    This collection of short stories, her first to appear in English, counters material poverty with a fulfilling and deeply spiritual relationship with the natural world. Ullmann herself was no stranger to hardship. A depressive, she was plagued by personal and professional crises. Financial constraints forced her to send her illegitimate children to the countr […]
  • The Fall of Language in the Age of English by Minae Mizumura March 14, 2015
    The Fall of Language in the Age of English stirred up debate upon its publication in Japan in 2008, and it’s possible it will do so in the U.S. with its arrival in Mari Yoshihara and Juliet Winters Carpenter's translation. In their introduction, Yoshihara and Winters Carpenter, point out that Japanese reviewers accused Mizumura of being a jingoist, an e […]
  • Another View: Tracing the Foreign in Literary Translation by Eduard Stoklosinski March 14, 2015
    Another View demonstrates exciting potential in translation study and praxis. It is especially significant in deconstructing assumptions about fluency and linguistic identity. The author makes some persuasive arguments for considering and even preferring non-native translation of texts, the most controversial of which is the possibility that linguistic compe […]
  • The Latest Five from Dalkey Archive’s “Library of Korea” Series March 14, 2015
    Despite South Korea having the kind of vibrant literary scene you'd expect from a country with one of the highest literacy rates in the world, we're still not exactly inundated with English translations of South Korean fiction. Given this dearth, Dalkey Archive Press's Library of Korean Literature series, twenty five titles published in collab […]
  • B & Me: A True Story of Literary Arousal by J.C. Hallman March 14, 2015
    here’s a conspicuous history of books that simply should not work: Books like U & I by Nicholson Baker, a book-length exercise in “memory criticism,” where Baker traces Updike’s influence on his own writing life while studiously not actually re-reading any of Updike’s books. Or books like Out of Sheer Rage, Geoff Dyer’s book that procrastinates away from […]
  • The Valerie Miles Interview March 14, 2015
    The idea was to uncover the secret life of these texts, why do their creators consider them their best work? What’s the clandestine, the underground, the surreptitious meaning or attachment? Where’s the kernel, the seed from which a body of work grew, what the driving obsession? Is it something sentimental, something technical, maybe even something spiritual […]
  • On Being Blue by William H. Gass March 14, 2015
    Look up at the sky, or down into the ocean, and what color do you see? We see blue, but not Homer—he never once employs the term throughout The Iliad and The Odyssey, famously calling the sea "wine-dark" and the heavens "bronze." Neither did the Greek philosopher Xenophanes say blue—he described the rainbow as having only three colors. Th […]

Life Big Read Question Thread 3

We are in Week 4. Give us your questions and thoughts right here.

For my own part, you may have noticed that I didn’t do some summarizing thoughts + a poll last Friday like I usually do. Reason being, I was out of town camping in the woods.

But that experience did give me an interesting perspective on Life A User’s Manual. Of course whenever you go camping you have to build a fire, and whenever you build a fire you enter into one of the strangest, most human experiences possible. What I’m referring to is that hypnotic sensation of watching a fire burn over the course of hours, watching these flames that you’ve just nurtured to life consume themselves, plus, of course, carefully tending the fire along the way to keep everything in good order. It’s the only experience I can think of that I probably share with the earliest human beings to walk the Earth.

For me, it’s a profound experience because, well, other than art in museums I don’t tend to sit and stare at things for any length of time (I stopped watching TV years ago), and so to suddenly be drawn into the experience of watching that fire is surprising, to say the least.

I mention all this because self-consuming quests is a very big them of Life, and of life, perhaps the theme in both. And as we consider Bartlebooth’s motivation for this quest he is undertaking, it might be worth while to think about how it feels to watch a fire.

And now an observation–did everyone notice the word isograms on page 298? I didn’t know what an isogram was, so I looked it up, and it is a word or phrase with nonrepeating letters. According to Wikipedia, the longest isogrammic word in the world is “subdermatoglyphic.” You can find out more here.

I thought it was interesting that Perec uses isogram as part of the title of the fictional scholarly paper “Hariri revisited: Crosswords and Isograms.” Just thinking about isogrammic crosswords gives me headaches, but I’m sure Perec would have loved to make one.

And now a question: What did you think was the significance of Gregoire Simpson [265 - 73] a man who sort of slowly recedes from life until he disappears into nothingness. In the essay I mentioned earlier this week, Josipovici identifies him with the protagonist of Perec’s early, short novel A Man Asleep. In a book full of so many fantastical, action-packed stories, this one is oddly mute, and his relationship to things is strange as well (in the context of the book).

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2 comments to Life Big Read Question Thread 3

  • When I read ‘Gregoire Simpson’, the first thing that popped into my head was Kafka’s ‘Gregor Samsa’, and that’s as far as I got, my brain not being used to firing too many neurons in succession.

  • Gilly

    The paper maybe be fictional but Hariri was a real person, Al-Hariri of Basra (1054-1122) He was famous for his maqāmāt Al-Hariri – I looked this up on Wikipedia and found the following: “Both authors’ maqāmāt center on trickster figures whose wanderings and exploits in speaking to assemblies of the powerful are conveyed by a narrator. The protagonist is a silver-tongued hustler, a rogue drifter who survives by dazzling onlookers with virtuoso displays of rhetorical acrobatics, including mastery of classical Arabic poetry (or of biblical Hebrew poetry and prose in the case of the Hebrew maqāmāt), and classical philosophy. Typically, there are 50 unrelated episodes in which the rogue character, often in disguise, tricks the narrator out of his money and leads him into various straitened, embarrassing, and even violent circumstances. Despite this serial abuse, the narrator-dupe character continues to seek out the trickster, fascinated by his rhetorical flow.” This had many echoes for me of what Perec is doing in Life. There is an illustration from a copy in the Bibliotheque Nationale in Paris, and it’s fascinating to imagine that Perec would have been familiar with this very book.

    Gregoire Simpson is a strange character. It’s as though he is impervious to the myriad riches of Perec’s Paris: to him everything that Perec sees as so different and distinct is all part of a featureless landscape. He makes lists and sets himself tasks, follows bizarre itineraries, but they are ridiculous and futile. He is like a shadow Perec, Perec on a bad day.

    I became intrigued by the cats in the stories. They appear all over the place. The most famous photo of Perec is with his cat on his shoulder (interesting that Scott uses a similar photo with cat as his profile picture) and his perceptive observations of cats reveal him as a cat-lover. I came across a series of photos of writers and their cats http://writersandkitties.tumblr.com/. I found these very attractive and appealing. I think cats like writers because they sit at home for long periods of time which cats find restful.

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