The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


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  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
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  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
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  • Faces in the Crowd by Valeria Luiselli December 15, 2014
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Life Big Read Question Thread 4

From the Operation Paperclip Wikipedia page

This week concurrently with Life A User’s Manual I’ve been reading Beckett’s trilogy starting with Molloy, and I noticed this interesting coincidence of thoughts. They deal with satisfaction, meaning, and hope, items that are certainly of central importance to Perec’s book. My emphasis in both quotes.

From Molloy:

But I do not think even Sisyphus is required to scratch himself, or to groan, or to rejoice, as the fashion is now, always at the same appointed places. And it may even be they are not too particular about the route he takes provided it gets him to his destination safely and on time. And perhaps he things each journey is the first This would keep hope alive, would it not, hellish hope. Whereas to see yourself doing the same thing endlessly over and over again fills you with satisfaction.

From Life:

That was one of the few occasions when two weeks were not long enough to finish a puzzle. Customarily, the alternation of excitement and apathy, of exaltation and despair, of feverish expectancy and fleeting certainties, meant that the puzzle would be completed within the prescribed schedule, moving towards it ineluctable goal, where, when all the problems had been solved, there was in the end only a decent, somewhat pedantic water-colour depicting a seaport. Step by step, in frustration or with enthusiasm, he came to satisfy his urge, but by satisfying it caused it to expire, leaving himself with no recourse but to open a fresh black box. [384]

Thoughts? Arguments? Questions? Give them to us here.

[Incidentally, Molloy is fantastic, far, far better than I might have expected. If you haven't yet, do not deny yourself the aesthetic pleasure any longer.]

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1 comment to Life Big Read Question Thread 4

  • Stephen

    Sometimes I get the impression that Life A User’s Manual resembles a history. The narrative seems projected by the question, What happened at a particular moment in time ? The narrator, bring the reader along, at times seems like a historian at work. And with so many different characters, I feel compelled to ask, Who knows the truth? Or, Who was it that witnessed a certain public or historical event? Yet, as I read on it is very much the personal worlds of his characters that Perec explores, while the broader social and historical context is consistently relegated to the background. These worlds, which Perec’s characters inhabit, seem to have their own distinct logic, distancing the characters somehow and making them mysterious, almost unknowable: their interests, motivations, obsessions and desires. I think that this emphasis Perec places upon individualized, personal worlds, and the relationship of these worlds to the broader social context, is significant and should become more apparent as we read on. As with a particular piece of a puzzle that only acquires meaning in relation to its general context, the picture of which it is but a part.

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