Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

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Interviews from Conversational Reading

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See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

Life Big Read: Question Thread

So I want to try something new here. Each week I’ll post a question thread, and then we all can post any questions at all we have about this week’s section in the comments. This can be anything, from, What does the story about X mean? to How do you translate trompe-l’œil, and what exactly is it? to Where did we last see Madame de Beaumont?

I’ll do my best to answer all the questions, but I’d like everyone else to provide answers as well!

I’ll get things started: Does anyone know if the Kubus, the tribe that Appenzzell attempted to live with, actually existed, or if existed any kind of similar tribe?

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9 comments to Life Big Read: Question Thread

  • A fun idea. I have not read the story so all I can contribute are the obvious links which indicate that the answer is yes.

    http://www.1911encyclopedia.org/Kubus

    http://en.wikipedia.org/wiki/Kubu_people

  • Stephen

    Hey Scott.

    So the Kubas are, or were, actual hunters and gatherers. It’s quite interesting that Perec would write of such people, who have few tribal possessions and no significant belief in private property ownership. It is very much the bedrock in terms of our human relationship with things. While the significance of Malinowski’s anthropology is less clear, (If I recall correctly he studied the relationship between the material, social and ideological levels of society, emphasizing in particular how the material or economic base informed the social and ideological levels) Marcel Mauss expanded his own ethnological observations into a book, The Gift. This book, which I haven’t read but have read about, as perhaps you and others have, is concerned with the concept of reciprocity, and the significance of the reciprocal relationships established between giver and receiver in the exchange of a ‘thing’. Or, as with Apenzzell, the failure to establish such a relationship with gift exchange. Obviously, this contrasts significantly with capitalist exchange and the value or meaning such exchange has on ‘things’, changing gifts into commodities-and reshaping human relationship in the process.

    I’d also like to mention the significance I found in the image of the rubber tappers and the tropical-wood trees being floated downstream, which Apenzzell meets as he makes his way upstream. It’s such a telling image of the global dynamic which capitalism established, as it grew out of its mercantile roots, whereby the ‘third world’ was created so the ‘first world’ could acquire resources and produce lots of ‘thing’s.

  • Gilly

    I found the Appenzzell episode moving, funny and tragic all at once. It takes place in the 1930s, doesn’t it, before the wholesale exploitation of resources in south east Asia .You can imagine Appenzzell thought he would find a tribe no one else had studied. With all his good intentions he was still going to exploit them. I admired the determination of the Kuba people to evade the anthropologist, to refuse his gifts and his help. It reminded me of the way Australian indigenous people refused to pass on Dreamtime stories, preferring to die with them untold. Sad and humbling. It’s interesting that the Kuba are losing vocabulary, at the same time as everyone in the building back in Paris seems to be piling words on words, objects on objects. Then Perec made me laugh out loud with his throwaway reference to the carpenter who asks his apprentice to pass the thing (le machin) ignoring the precise words for the tools of his trade.

    I liked the irony of Mme Moreau unable to find a handyman in her village Saint-Mouezy as all the cottages are now weekenders for do-it-youselfers all equipped from her catalogue.

    The elaborate James Sherwood sting; I was just thinking what a great film this would make and when I googled Ursula Sobieski I found this discussion group had already had that idea!
    http://www.readliterature.com/BC_laviemodedemploi.htm
    Some interesting decoding going on here.

    I feel Perec must have foreseen Google as I am doing a kind of Perec thing here, trying to dive beneath the surface to go further with his stories, characters and objects.

    Here’s a question I want to ask. Are the many paintings real pictures? Are some of them real? Or did Perec make them all up?

  • I liked the way Perec laid an O. Henry ending on the Sherwood tale. In a by the way comment, we are led to believe that the one million was paid in counterfeit dough.

  • The surface reading indicates the tribe but, there’s this reference which I actually found first: en.wikipedia.org/wiki/Kubuś
    I went back and re-read the section and the comments about “they who defend themselves” and “Sons of the Interior” made be re-examine the section. Perhaps it’s nothing but it certainly does make it a bit more puzzling to me as a reader. This is especially the case since Perec emphasizes that Appenzzell is Jewish.

  • Messed up the link, sorry.
    http:en.wikipedia.org/wiki/Kubuś

  • admin

    Gilly: Excellent question. I have no idea, but I wouldn’t put it past Perec to have tossed in a few “real” paintings.

  • [...] I’d like to pull this from last week’s question thread: So the Kubas are, or were, actual hunters and gatherers. [...]

  • Philip

    I’m really enjoying this but I realize I am a long way behind schedule!

    Is there a reason for the absence of Beaumont 2? It jumps from Beaumont 1 to Beaumont 3.

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