Recent Posts

  • Things and other things that shouldn’t meet August 1, 2010
    The value of things. […]
    Jeff Waxman
  • Q: What Says Francis Fukuyama like a Dead Squirrel in Tartan? August 1, 2010
    From Paper Cuts, we learn of The End of History, a 55% ABV beer infused with juniper and highland nettles that was inspired by Fukuyama's well-known essay of the same name. […]
    Jeff Waxman
  • Markson in Circulation August 1, 2010
    Thousands of David Markson’s books–from the man’s personal library, and with his extensive annotations–are for sale at The Strand.  “David wanted the books recirculated . . . . And really, if you face it, a university library, what are they going to do with them? They end up storing them. I think he [...] […]
    Jeff Waxman
  • Printers’ Ball in Chicago Tonight August 1, 2010
    Don't miss your chance to snatch up lots of free magazines and journals from small presses in Chicago and around the country at the Poetry Foundation's Printers' Ball tonight at Columbia College. […]
    Carrie Olivia Adams
  • Amazon drops prices and Galleycat snarks August 1, 2010
    Amazon is supposedly dropping the price on the Kindle to $139. The folks over at Galley Cat are not impressed. Even worse for Amazon, even less is Seth Godin. […]
    Soo Jin Oh

Shop at Amazon though these links and this site gets a kickback.

Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]
  • A Warehouse with an Epic Scope: Entrepôt by Mark McMorris
    To say that Mark McMorris's Entrepôt is about writing poetry is to do a huge disservice to this beautiful and penetrating book, whose ostensible subject of contemplation is how to live, love, and make do in a time of war, if not cultural crisis. On the other hand, the book's greatest service, at least to my eye, is in its exploration of just w […]

LINKS

LINKS

Walser
From the piece "Composition for Robert Walser," published at Words Without Borders

News

* Cody’s Books is now really, truly, and, one must accept, irrevocably, dead

* A new documentary exploring the life and death of Cody’s Books and Kepler’s bookstore will air on PBS in November

* Marcelo reports on Bolano’s literary executor, who possibly lost his job for writing a negative review. Marcelo also reproduces this quote from him, with which I need not state my agreement:

The way things are … the critic tends to act exactly like a disc
jockey. The DJ’s success, just like the new critics’, depends on his
capacity for tuning in to the dance floor’s occupants, whose appetites,
tastes, and level of excitement or euphoria he must divine, stimulate
and encourage.

* Encounter Books decides to forego the honor of sending its books to the NYTBR for review

* There’s no link to a story online anywhere, so I reprint this news blurb in toto from Publisher’s Lunch. Sounds interesting:

Joint Venture to
Provide Online Slices of Academic Books

The University of Chicago Press’s Chicago Distribution Center has
signed with  technology provider Tizra to allow distributed
publishers to sell subscriptions to online books. The joint venture
will begin this summer in a pilot program with the University of
Chicago Press itself and others, and will use the services of their
Bibliovault digital repository.

* This story prompts the question, Was not having your newspaper edited in India really what was holding it back? I, for one, look forward to the day when U.S. book reviews are written solely by Indians.

* Americans must go teach the Chinese to speak English like we do, or else we’ll end up speaking it like they do

* The Guardian on Dave Eggers’s oral history project

Reviews

* The Complete Review reviews a book written by the mayor of Rome and translated by the man who wrote Godel, Escher, Bach

* Richard Eder on the last of Camus’s notebooks

* Hitchens on Rushdie
 

Audio

* The science of itching, as discussed by the author of a new book on the subject

Video

* From the website Camouflage Lenses, a poem put to film:

The Rest

* Levi Stahl of the University of Chicago press has been doing some mean Savage Detectives blogging of late

* Coetzee’s relationship with his censors wasn’t quite what you’d expect:

The reality of the author’s run-ins with the censors belies the popular
image. Not only were the censors complimentary of the books – for
example, one censor called In the Heart of the Country
‘outstandingly well-written’ – but they were themselves sophisticated
readers known to Coetzee. Among them was H. van der Merwe Scholz, a
professor at the University of Cape Town, where Coetzee also taught.
Another was Anna M. Louw, herself a novelist based in the city. These
censors were part of Coetzee’s intellectual and social world, drawn
from the small South African intelligentsia who, Coetzee suggested,
considered themselves to be ‘guardians of the Republic of Letters… book
reviewers to the power of n’ protecting a space for literature from a
philistine state.

* The great New York novel?

* Classic? Not quite.

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