Lydia Davis interviewing Lynne Tillman

What more do I need to say? Well, plus questions by QC contributor Rone Shavers.

Right here.

LD: I’d like to go on talking about American Genius, but first I want to pursue this question: do you think there’s any correlation between work that goes well or easily, and how it turns out? I mean, does work that goes well and is enjoyable to write turn out better than work that is difficult almost all the way through? What has been your experience of this?

LT: I’m not sure about that correlation in my work. A reader might feel it, which would bother me, because I want to make the writing seem effortless, at least not labored. I don’t want readers to get bogged down in unnecessary language or linguistic frills. If they need to go back to the beginning of a sentence, I don’t want it to be because it’s cluttered with verbiage that doesn’t ultimately augment and elaborate clearly even contradictory or irrational sets of thoughts. As a reader, and writer, I dislike overwrought sentences.

Tillmann’s new book, Someday This Will Be Funny, published by Richard Nash’s new publishing venture, Red Lemonade, is quite good.

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