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McEwan Blames Global Warming for Lackluster Sales
Apparently Ian McEwan’s latest book–a satire on climate change–flopped and he’s blaming climate change fatigue:
McEwan blamed American apathy for the negative reviews afforded to Solar, his satire about global warming.
I think, though, that I caught America in a mood of profound boredom about climate change. They just didn’t want to hear about it any more, they were sick to the teeth. I think there was a strong element of that.”
I have grave doubts about how tired Americans are of reading about climate change, but even if that was the case, McEwan’s argument holds no water. Since when has a novel’s trendy subject-matter driven or killed sales for anyone but those novelists like John Grisham, Michael Crichton, et al.?
One of this year’s biggest novels thus far was about the Vietnam War, one subject that Americans have certainly heard far more about than global warming. Last year Nicholson Baker had brisk sales for a novel about a poet writing an introduction to a poetry anthology–talk about your unsalable premises.
And, of course, the list goes on and on. Don’t blame climate change fatigue–after two lackluster novels, U.S. readers have grown tired of Ian McEwan.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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It was the many bad reviews that killed this reader’s interest.
Just finished this book and loved it. It actually got lots of positive reviews. I wasn’t interested in it at first — thought a novel about global warming sounded pedantic. It’s not at all. It’s farcical and funny and makes very effective points at the same time.
I probably would’ve liked the book much more if it’d had more to do with global warming. Instead it’s just a story of a bloated jerk farting around, messing up people’s lives. And then it ends. I had really looked forward to reading it, and expected something more from McEwan, so it was pretty disappointing. I definitely didn’t recommend it to anyone, and I wouldn’t be surprised if friend-to-friend recommendations were few and far between.
This was definitely the least of McEwan’s last few novels. I just didn’t think it was very funny. I wrote about my 20-year relationship with McEwan’s work here: http://guiltyfeat.com/2010/07/23/me-an-mcewan/. I’d love to get your feedback. Cheers.