The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

For low prices on Las Vegas shows visit LasVegas.ShowTickets.com
  • Marcos Giralt TorrenteMarcos Giralt Torrente

    My piece covering two new translations of books by Marcos Giralt Torrente—Paris and Father and Son: A Lifetime—has just... »
  • A Little Lumpen NovelitaA Little Lumpen Novelita

    The latest Bolaño, reviewed at M&L. In one of the monologues that make up the long middle section of Roberto... »
  • ePoetryePoetry

    I don't really think poetry written for print works in the electronic format. You can make an argument that there isn't a whole... »
  • Issue 37 of The Quarterly ConversationIssue 37 of The Quarterly Conversation

    Here it is. If you're the kind that doesn't like to just jump into things, full TOC after the... »
  • The Translation BestsellerThe Translation Bestseller

    I wonder if, given the minuscule amount of translated books published each year, but the relative regularity of a bestseller... »
  • Future LibraryFuture Library

    Cool idea. Edouard Levé would have been a fantastic participant. A thousand trees have been planted in Nordmarka,... »
  • Juan Jose SaerJuan Jose Saer

    You all should really be reading Juan Jose Saer (if you're not already). His books have a very particular feel . . . I could... »
  • In the ArchipelagoIn the Archipelago

    Jill Schoolman, interviewed at BOMB. Hope everybody reading this in the Bay Area will come out to the event with Scholastique... »
  • How They ThinkHow They Think

    Okay, I know it's wrong to respond to clickbait, but—the thing that pisses me off about this is that it's somehow a... »
  • FlamethrowersFlamethrowers

    It's kind of amazing that the NYRB published Frederick Seidel's lazy review of The Flamethrowers by Rachel Kushner, one of last... »

You Say

Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

Shop though these links = Support this site


Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Milan Kundera at 80

Kundera
Milan Kundera
is an author I could stand to read more of (I've only read The Unbearable Lightness of Being, although I did like it a lot). Now that he's 80, they're beginning to mark the occasion.

Geordie Williamson at The Australian has a nice, if occasionally inconsistent, tribute to Kundera:

But these fictions were always more than Iron Curtain exotica.
Kundera's talent, though unevenly applied throughout his career, has
always been impressive in essence and deeply original. His method has
been to graft abstract philosophical ideas with fictional invention to
create narrative cyborgs: intellectually speculative, formally
experimental, intermittently essayistic, yet warm-blooded, grounded in
human experience. His characters are not mere automatons, programmed
with pure theory and set to shuffling: they are sophisticated neural
networks that grow through those dilemmas of love, history, nation and
politics the author obliges them to confront.

Few, for example, have read and fewer understand German philosopher
Martin Heidegger when he writes about truth and untruth, and their
relation to human freedom (me included). But everyone can appreciate
Sabina, the embodiment of his ideas in The Unbearable Lightness of
Bein
g.

One wonders how Williamson knows that Sabina embodies Heidegger's ideas if he doesn't understand them . . .

Later on, Williamson marks the turn in Kundera's fiction post-Iron Curtain:

It is difficult to know how consciously Kundera incorporated this
new political and cultural dispensation into his writing. But with his
turn to French in the 1990s came an increased interest in philosophy at
the expense of politics. Although these later novels were
well-received, re-reading the reviews it is hard toavoid the sense that
while his aphoristic intelligence remained undimmed, Kundera's
characters, now often Gallic, no longer at the pointy end of
20th-century history, had grown insubstantial. As Geoff Dyer, one of
Kundera's strongest English advocates, admitted of 1990's Immortality:

I find I don't much care about Kundera's characters in their (chic,
bourgeois) environment. I love Kundera speculating about his
characters, but when the characters are on their own, when he is not
around, in other words, when he is not looking, Iskip.

More from Conversational Reading:

  1. Milan Kundera in Czech Who whould have thought it would take them this long. Milan Kundera wrote The Unbearable Lightness of Being in Czech (Nesnesitelná lehkost bytí) back in...
  2. Kundera Milan Kundera’s got a new book about fiction out. Reviewed in the SF Chron: In his latest essay, "The Curtain," Milan Kundera embarks on a...
  3. Great Literature of the Austro-Hungarian Empire Last week I knocked off Stefan Zweig’s excellent (and possible uncompleted) novel The Post-Office Girl while winding up the last of rhte BTB 2008 longlist....
  4. Kafkaish Interview The Harpers blog has a worthwhile interview with James Hawes, who wrote that new book about Kafka that has a lot of Germans in a...

Related posts brought to you by Yet Another Related Posts Plugin.

5 comments to Milan Kundera at 80

  • I have little time for critics who think – as Williamson seems to suggest – that fiction is only ever pressing when read against a background of historical events.
    Kundera did not increase “his interest in philosophy at the expense of politics” – it’s only critics in their “chic, bourgeois environment” who think they can be separated into commodious entities.

  • Coincidentally I watched the film of The Unbearable Lightness of Being tonight. It has been several years since I read the book but it is a reasonably good adaptation.

  • Still can’t get enough of Kundera. In fact, I added him to my top 100 books on totalitarianism list.

  • What a nice Kundera essay! (BTW, have I told you am a massively major fan of MK?).
    The best thing about Kundera is his philosophic humor and light reading style. I’d recommend Book of Laughter and Forgetting, or for something earlier The Joke.
    Conventional wisdom says that Kundera lost his magic touch in the 90s. But I found his last work Ignorance to be first rate.
    Also, his most recent essay collection The Curtain is a masterpiece. It talks about the history of the European novel among other things. I savored every page.
    I made a few more remarks about Kundera a year ago.
    The key test is whether Kundera remains relevant post-Iron Curtain. I think he does. When I read ULOB, I find the historical facts described ironically. Communism was a backdrop and an oppositional ideology, but Kundera was more focused on art and humor than politics.
    That said, I still believe Kundera’s characters are a bit flat.

  • I just stumbled upon this 5 years late, but I appreciate the heads up on the Geordie Williamson article, of which I was quite unaware.

    I am not sure I buy into the Czech/French binary discussed above–I’ll have to re-read the later novels and see! If anyone is interested, I wrote an extended appreciation of his first book on the aesthetics of the European novel, The Art of the Novel on my blog at http://wp.me/p2OBGe-3u

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>