Q: For the first time in one of your full-length novels, the narrative is given in the third-person. However, an intimacy close to that of a first-person narrative is maintained, and the young people in it are beautifully depicted. This made me realize once again that, even though you have been writing novels for the past 30 years, your work is still literature about early adulthood.
A: As they age, authors usually write well about the generation they’re in. I’m more interested in young people who are living in the present day and continuing to mature. I don’t mingle with people in their 20s and I know little about mobile phone novels or anime works. But I think these factors have little to do with the art of creating an “actual” story.
When I was 30 years old, I could only write well about my 30-year-old self. But I managed to write about a 15-year-old boy in “Kafka on the Shore” and a 19-year-old girl in “After Dark” as if writing about myself. In this work, I wanted to start the story by describing the feelings of 10-year-old Aomame. In particular, I wanted to delve deeper into how women feel or think in this work.
Since I was writing this story day after day over a long period of time, I came to feel like I was living together with the characters in the story and came to understand more clearly what kind of people they were. I would revise my writing over and over again to fine-tune it. Changing one descriptive word or a line of sentence can sometimes bring a certain character to life.