The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

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Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • Those Who Leave and Those Who Stay by Elena Ferrante September 16, 2014
    Few novelists have captured the rhythms and flow of life with the veracity of Elena Ferrante in her Neapolitan Novels. Following the friendship between Elena Greco and Lila Cerullo from childhood to old age, the tetralogy spans fifty years; over the course of that time, no emotion is too small, too dark, too banal to be recorded. No expense, so to speak, is […]
  • Trieste by Daša Drndić September 15, 2014
    As Drndić reiterates throughout the novel, “Behind every name there is a story.” And Haya Tedeschi’s story is draped in death. Born to a Jewish family that converted to Catholicism and tacitly supported the Fascists in Italy, Haya was a bystander to the Holocaust. She attended movies while Jews and partisans were transported to concentration camps; she pored […]
  • The Tree With No Name by Drago Jančar September 15, 2014
    At the opening of chapter 87—the first chapter found in The Tree with No Name—Janez Lipnik finds himself up a tree, shoeless, and lost in the Slovenian countryside. He makes his way to a house where he is taken in by a woman teacher who is waiting for her lover, a soldier. It becomes clear we are at the height of World War II. Soon after, we follow Lipnik […]
  • Kjell Askildsen, Selected Stories September 15, 2014
    Here, at the midpoint of his narrative, Bernhard, the affectless and purposeless protagonist of "The Unseen," experiences existential near-emancipation at dusk. This retreat toward obscurity in terse, direct language—thematic and stylistic markers of each work in the collection—comes immediately after Bernhard’s sister mentions her plans to enterta […]
  • Berlin Now by Peter Schneider September 15, 2014
    In his new book of essays, Berlin Now, Peter Schneider reveals himself as a gnarled Cold Warrior who has been stricken with many of the maladies common to his generation. With the specter of Communism exorcized, his new enemy is Islam. The book is a collection of short interlocking pieces introducing Anglophone readers to Berlin; it is not being published in […]
  • Paris by Marcos Giralt Torrente September 15, 2014
    In 1999, Marcos Giralt Torrente’s debut novel, Paris, was awarded the XVII Premio Herralde de Novela prize. Despite his success, it took fourteen years for Giralt’s work to appear in English, with the story collection The End of Love arriving in 2013. Now, this year sees the publication of two more books by Giralt: Paris, translated by Margaret Jull Costa, a […]
  • 10:04 by Ben Lerner September 15, 2014
    “It seemed that the [New Yorker] story—which was in part the result of my dealing with the reception of my novel—had been much more widely received than the novel itself,” says the narrator of Ben Lerner’s second novel, 10:04. Perhaps this narrator is Lerner himself—at one point he describes 10:04, within its own pages, as “neither fiction nor nonfiction but […]
  • Theories of Forgetting by Lance Olsen September 15, 2014
    Lance Olsen’s Theories of Forgetting is a masterful work structured around Robert Smithson’s earthwork “The Spiral Jetty.” Olsen’s novel is comprised of three narrations, written each by a separate member of a family. The husband’s and wife’s texts progress in opposite directions across the book, with each page divided among these two inverted texts; though […]
  • An Interview with Lance Olsen September 15, 2014
    The most substantial may be that innovative fiction knows what it is, that someone like me could define it in any productive way, that innovative fiction might somehow be one thing, or somehow consistent through time and space. None of these is the case. That’s exactly what I find most exciting about writing it, reading it, thinking about it. Innovative fict […]
  • The Ants by Sawako Nakayasu September 15, 2014
    In The Ants, we receive a study of existence through ants. That is, there are ants everywhere, ants substituted in every segment of the landscape, yet their behavior seems to reveal something altogether human. Too human. The ants are crushed and disappointed. They are warm and many. They are involved in gang wars and live inside carrot cake. The unique quali […]

Naked Singularity Big Read: Taking a Chance on ANS

Now that the Naked Singularity Big Read is concluded, we’re running short responses to the book by Big Read participants. Here’s Craig Chisholm discussing his general impressions of A Naked Singularity.

For the rest of the Naked Singularity Big Read posts, click here.

To begin an, at this point, untested novel of considerable girth with a biblical passage about the inadequacy of mankind, demanded that I adjust, or at least consider, the barometer of my expectations. There is a reason print-on-demand publishers are rightfully referred to as vanity presses. But in the history of publishing there are texts, Carroll’s Alice’s Adventures in Wonderland, Poe’s Tamerlane and Other Poems, Proust’s Swann’s Way, that have been initially paid for out of the author’s own pocket and have become classics, or at least documents of a time in history. What becomes of American poetry if Whitman doesn’t scrimp and save to afford the first edition of Leaves of Grass? Would William Carlos Williams bother to pen his Paterson cycle?

Yet these examples are few and far between. Contemporary publishing houses produce such trash that one might as well read some non-establishment trash. So you take a chance. And place yourself in the most ideal of physical environments to assure that the text has the best chance of delivering its’ story. I started at a beach and finished in a hammock. The day that elapsed in between was spent in a courtroom, Alabama, a small town in Puerto Rico, Brooklyn Heights, a mile or so north of my hammock, and in the world and mind of one of American fiction’s most of-late humorous and condemning protagonists.

A blend of postmodern DFW’s Infinite Jest, Slothrop’s antics, classic heist novels, and social criticism delivered with poignancy and ferocity by the jaded, idealist defense attorney, Casi. I am also reminded of Musil’s character Ulrich in the “story of ideas,” A Man Without Qualities. The disparate tropes found in A Naked Singularity allow for different levels of reading, which make for an engaging, thoughtful text. And also a very quick read that, thankfully for the new distribution by U of C press, gave me opportunity to reread.

A book with as much physics and philosophy as contained in ANS could be a slog, if it wasn’t also hilarious: an obscenely obese nemesis named The Whale whose “eyes didn’t line up” and with “teeth that were more like fangs,” a character that decides watching The Honeymooners on repeat will somehow make the Kramdens and Nortons three dimensional; the fact that someone is watching The Honeymooners at all, as if there isn’t a more contemporary example, a list of all the great men in history-from Homer Simpson to Engelbert Humperdink, and a fellow attorney of means with an obsession with perfection that leads him to concoct a perfect crime. The humor in difficult novels (and this isn’t difficult; this is a joy), is often overlooked. I’m thinking specifically of Ulysses.

A novel with the depth of ANS should be analyzed, deconstructed, found fault with, explored. Casi’s commentary on the American justice system, the way archaic drug laws work to disenfranchise millions of potential voters, the morality of the death penalty, how Television and consumerism work to turn American culture into its own type of inescapable black hole all have merit. As does the fact that the Benitez boxing metaphor—while great fun to read—certainly contributed to the years ANS spent as a print-on-demand title. Even the publishing history of ANS is a microscopic naked singularity, a speck amidst darkness. Casi’s story is just that. And as he says at the end of Chapter 25, asking why he was made to read something so disturbing, we get an answer to the question, why write and why read.

“Because it’s a story.”

For the rest of the Naked Singularity Big Read posts, click here.

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  1. Naked Singularity Big Read: Conclusions For the rest of the Naked Singularity Big Read posts, click here. This is the last post in the Naked Singularity Big Read, as per...
  2. Naked Singularity Big Read Prizes We’re starting the Big Read of A Naked Singularity in just under 2 weeks. Schedule here. And here are some images of the four signed...
  3. Naked Singularity Big Read: Perfection For the rest of the Naked Singularity Big Read posts, click here. In chapter 3x2x1 (aka Chapter 6) De La Pava introduces one of the...
  4. Naked Singularity Big Read: About that Title For the rest of the Naked Singularity Big Read posts, click here. Hello everybody and welcome to our summer Big Read: A Naked Singularity by...
  5. Naked Singularity Big Read: Possibilities and Potentials For the rest of the Naked Singularity Big Read posts, click here. In my mind, the chunk of this week’s read that deals with Casi’s...

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1 comment to Naked Singularity Big Read: Taking a Chance on ANS

  • We really do tend to look down on self-published books, but De La Pava made the point in some article I read (I don’t remember where) that we don’t treat independent filmmakers the same way, or musicians or other artists who fund their own projects. I really liked this novel, and I’m definitely more willing to take a chance on self-published books in the future.

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