Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
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Natasha Wimmer on The Black Minutes
Just got a copy of The Black Minutes in the mail, and the one and only Natasha Wimmer makes me want to bump it to the top of the line:
And yet Martín Solares’s first novel, The Black Minutes, an uncommonly nuanced neo-noir—set, as it happens, in Tamaulipas—may be exactly the right book to read at the end of 2010, a particularly dark year in recent Mexican history. It’s crime fiction, but it’s also a meditation on corruption, and it captures the kind of nightmarish helplessness that many feel in the face of the tide of narco-violence sweeping the north of Mexico.
I admit to an unquenchable interest in the Mexican drug war, owing to the year I spent living in that country. Not simply because it’s awful to see the Colombianization of a truly amazing nation that was as fun as it was rewarding to explore; and not only because Mexicans were some of the friendliest, most welcoming people a person could wish for while traveling; but also because, as Roberto Bolano noted in 2666, a lot of what’s going on there bodes for the future of the postindustrial world.
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More from Conversational Reading: - The Black Perspective on Black History Month Novelist Tayari Jones, "On Being a Writer During Black History Month": The invitations start around Thanksgiving: Greetings, Ms. Jones! I am events coordinator for the...
- Goldman and Wimmer Discuss Bolano (On December 4, 2008, Natasha Wimmer and Francisco Goldman discussed Roberto Bolaño’s 2666 at Idlewild Books in Manhattan. Quarterly Conversation contributing editor Scott Bryan Wilson...
- Natasha Wimmer on Horacio Castellanos Moya, Name-Checks Quarterly Conversation In The Nation. Graciously, Wimmer sends some kind words toward The Quarterly Conversation: El asco struck a nerve not just in El Salvador but across...
- Natasha Wimmer’s Notes on 2666 Although it’s somewhat buried, Macmillan has a page of useful annotations to 2666 made by its English-language translator, Natasha Wimmer. For instance: p.45: “And speaking...
- Black Swan Green The TLS gets at Black Swan Green. Black Swan Green encourages the reader to receive the novel as several different books crammed into the same...
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Scott–my own review was less than enthusiastic:
http://www.raintaxi.com/online/2010summer/solares.shtml