The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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New Book: Emma Donoghue's Room
When I first read the premise of Room (narrated by a little boy who has only ever lived in a single room) it immediately sounded like one of those dull, clever books that more charitable people might label “high wire acts.”
But, Aimee Bender’s review in the New York Times actually makes it sound quite worthwhile:
Although I hate to reveal plot points, some are necessary to discuss the book, and early on, the story reveals that Room is actually a prison, with a villain holding the key, and that Ma (as Jack calls his mother) is being kept against her will. Fierce claustrophobia sets in — what had seemed an odd mother-child monastery is now Rapunzel’s tower or Anne Frank’s annex or a story from the news about a stolen child living in a hidden compound. Jack, interestingly, does not feel trapped; that the two live in Room against his mother’s will is not something the son knows right away, and this contrast creates the major fissures and complexities in the book: Room is both a jail and a haven.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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Room was better than I expected. A bit plodding at first, because the repetitive nature of describing every tangible object by its name: Table, Chair, Door. If it had kept up like that I likely wouldn’t have finished it, but it does change.
One thing that made me really a bit uncomfortable was the striking similarities with the Duggard case, in fact, in moments it felt invasive and inappropriate. Overall, it was satisfying. Not great, but pretty good.
I have to admit, I found the book pretty disappointing — for basically the opposite reason as Amy here. To me, the later parts of the novel (when, SPOILER ALERT, we’re no longer confined to Room) felt a lot more cliched as the focus shifts from Jack and his unique POV and vocabulary over to the familiar realm of the media circus and the struggles of the victimized mom to re-adapt to society. Whole pages go by where he basically just sits there and listens to other characters — cops, talk show hosts, doctors — deliver hefty chunks of exposition. At least all that stuff about Rug and Meltedy Spoon was original.
You can check out my post on it here: http://chawshop.blogspot.com/2010/10/child-neglect-some-thoughts-on-emma.html
I want to know if anyone knows if this book: ROOM – has been translated into Spanish?
Which editorial? thanks
Lety Wicks