Recent Posts

  • Things and other things that shouldn’t meet August 1, 2010
    The value of things. […]
    Jeff Waxman
  • Q: What Says Francis Fukuyama like a Dead Squirrel in Tartan? August 1, 2010
    From Paper Cuts, we learn of The End of History, a 55% ABV beer infused with juniper and highland nettles that was inspired by Fukuyama's well-known essay of the same name. […]
    Jeff Waxman
  • Markson in Circulation August 1, 2010
    Thousands of David Markson’s books–from the man’s personal library, and with his extensive annotations–are for sale at The Strand.  “David wanted the books recirculated . . . . And really, if you face it, a university library, what are they going to do with them? They end up storing them. I think he [...] […]
    Jeff Waxman
  • Printers’ Ball in Chicago Tonight August 1, 2010
    Don't miss your chance to snatch up lots of free magazines and journals from small presses in Chicago and around the country at the Poetry Foundation's Printers' Ball tonight at Columbia College. […]
    Carrie Olivia Adams
  • Amazon drops prices and Galleycat snarks August 1, 2010
    Amazon is supposedly dropping the price on the Kindle to $139. The folks over at Galley Cat are not impressed. Even worse for Amazon, even less is Seth Godin. […]
    Soo Jin Oh

Shop at Amazon though these links and this site gets a kickback.

Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]
  • A Warehouse with an Epic Scope: Entrepôt by Mark McMorris
    To say that Mark McMorris's Entrepôt is about writing poetry is to do a huge disservice to this beautiful and penetrating book, whose ostensible subject of contemplation is how to live, love, and make do in a time of war, if not cultural crisis. On the other hand, the book's greatest service, at least to my eye, is in its exploration of just w […]

New Review: Kamby Bolongo Mean River by Robert Lopez

New Review: Kamby Bolongo Mean River by Robert Lopez

New review of a really intriguing new book at The Quarterly Conversation. Published by Dzanc Books, it’s called Kamby Bolongo Mean River and it sounds part-New York Trilogy, part-Beckett, and part Wittgenstein. Here’s a taste:

In Kamby Bolongo Mean River our protagonist is confined in an observation cell containing only a bed and a telephone. Behind the two-way glass, white coated doctors observe the incarcerated narrator as he chooses to answer or not answer incoming calls. The sudden ringing of the phone occasionally terrorizes the man whose frequent masturbation spells may or may not be a subject of interest to whoever these observational authorities are.

In the opening pages of the novel, the narrator describes the method he has developed for communicating with the wrong numbers and probable impersonators calling on his phone. Implicit in his method is a primer for the reader on how to read this book . . .

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