The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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New Zambra Book, Plus Interview
Alejandro Zambra, well-known to many as the author of Bonsai (see The Quarterly Conversation’s review here), has just published a new novel (his third) in Spanish: Formas de volver a casa (“Ways of Returning Home”).
No word yet on an English translation date for that book, but The Millions does have an interview with Zambra.
TM: Tell us a little about Formas de volver a casa—is it much of a departure from your first two books?
AZ: It’s a book about memory, about parents, about Chile. It’s about the 80s, about the years when we children were secondary characters in the literature of our parents. It’s about the dictatorship, as well, I guess. And about literature, intimacy, the construction of intimacy. I don’t know if it’s very different from my previous books; the truth is I feel like it’s close to The Private Lives of Trees. In fact it starts from there, from some of the intuitions or images of the past that were in that book. Maybe the main difference is that it’s in large part narrated in the first person. It also includes a writer’s diary, a kind of center or heart in which the fiction breaks, and the only thing left is the writer’s voice searching for its origins. It’s my most personal book, without a doubt, although the others were that as well.
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