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Nice Moves

From Elisa Gabbert’s review of the poetry collection PERSONATIONSKIN at Open Letters Monthly:

I included “Autobiographia”—the first poem in Karl Parker’s debut collection, Personationskin—three times on a list of 41 “moves” in contemporary poetry (commonly encountered techniques or maneuvers). It was the only poem of his I had read so far, or I could have included more. Parker has a lot of moves—and I don’t mean that in an accusatory way. Moves are the memorable parts of a poem. There’s no dancing, no chess, without moves.

Parker’s moves include, but are not limited to . . .

The compound nonce word: “That was prettymuch the story of my life”

The throwaway pun: “ACTUALLY SAY LA VIE”

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The Surrender is Scott Esposito’s “collection of facts” concerning his lifelong desire to be a woman.


Two long essays of 10,000 words each on sex in—and out of—literature . . .

The first essay dives in to Nicholson Baker’s “sex trilogy,” explaining just what Baker is up to here and why these books ultimately fail to be as sexy as Baker might wish.

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5 essays. 2 interviews.

All in all, over 25,000 words of Latin American literary goodness.

3 never-before-published essays, including “The Digression”—a 4,000-word piece on the most important digression in César Aira’s career.

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