Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
Interviews from Conversational Reading See this page for interviews with leading authors, translators, publishers, and more.
|
On Preferring Not To
It’s important to remember that the way we conceive of the activity of “creating art” now isn’t necessarily how people who created art in past times conceived of it. In other words, a lot of the stuff that we go look at in museums now wasn’t considered art by its creator in the same way that we’d look at it.
Counter-activity can have value even if the original goal is discarded entirely, he said: his friend Mike Harte, who at one time aspired to be an artist but always seemed to find something else to do (sitting about, karaoke, eating Choc Dips – we were treated to a little slide show), used to write letters full of trivia, newspaper cuttings and “general nonsense” to his friend Jamie Shovlin, who was then studying at the Royal College of Art. Shovlin kept the letters and made them into an art project of his own, Mike Harte – Make Art, which was commissioned by the collective art collection V22. Pieroni has lately been researching what he calls the effluvia of office work – which include humorous pictures and signs such as the ones on this page (other slogans include “A tidy desk is a sign of a sick mind”) – for the exhibition Xeroxlore, which opens tomorrow, January 20, at SPACE.
Read the whole thing for Spurious-author Lars Iyer’s contributions to the panel.
You Might Also Like:
More from Conversational Reading: - Friend of the Little Guy Once again, Sam Tanenhaus proves himself a friend of literature. ...
- Writing Myths Over at Poets & Writers, there’s a pretty good list (with commentary) of myths writers "live by, but shouldn’t." Of the myths listed, these are...
- Review Shorter Michiko Kakutani: Updike doesn’t really know what the hell he’s talking about and as an art critic is pretty much on par with that...
- Writing Beckett’s Letters They’re publishing volume 2 of Beckett’s letters in September. In the meantime, you should have a look at this Cahier, by the volume’s editor on...
- The Prison Industry in Translating Austen Who knew? Felix Feneon translated Northanger Abbey into delightful witty and deeply felt French while he was in prison for the crime of blowing a...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
You Say