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Shop at Amazon though these links and this site gets a kickback.
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Great to see some of our finest writers making impacts elsewhere. . . . continue reading, and add your comments
 Enrique Vila-Matas’s website confirms that Dublinesca and Paris no se acaba nunca will be published in English by New Directions. Here’s a description of the former: . . . continue reading, and add your comments
 Here’s your guide to all the Bernhard available in English. . . . continue reading, and add your comments
 Vila-Matas is a personal favorite—his Montano’s Malady is pure genius—so I’m excited to find out more about Dublinesca. And I did hear from Declan at New Directions that they signed this book on, so it will be available in English at some point in the future. In the meantime, ND is bringing out Vila-Matas’s Paris Never Ends sometime next spring (?). Can’t wait . . . . . . continue reading, and add your comments
 I’ve just received an advance copy of the first book to come out of this new imprint, The King of Kahel by Tierno Monénembo. It appears to be a serious and interesting work. Here’s the description: . . . continue reading, and add your comments
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Blissfully stupid:
Between her blog and infrequent contributions to ehow.com, over the last few years she says she’s made about $50. To [Marilyn] Bess, her website is a hobby. To the city of Philadelphia, it’s a potential moneymaker, and the city wants its cut.
In May, the city sent Bess a letter demanding that she pay $300, the price of a business privilege license.
“The real kick in the pants is that I don’t even have a full-time job, so for the city . . . continue reading, and add your comments
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I’m technically still on vacation, but more than a week is too long to go without a little something. So here we are, Wired magazine has a piece on why eBooks cost too much:
In the new September 2010 issue, Wired devotes a few column inches to answering this question: “Why do e-books cost so much.”
The answer may already be known to you if you work in publishing, but it’s instructive to learn how e-book economics are . . . continue reading, and add your comments
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I’m on vacation. While not strictly impossible, more posts this week are unlikely.
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Can be read at The Barnes & Noble Review. Here’s a quote:
Despite its ideological undertones, however, which admittedly got its author into serious trouble, The Buenos Aires Affair is anything but a lugubrious political document—it is, in fact, a highly suspenseful novel that begins as a thriller would, with a mother discovering that her middle-aged daughter is missing from an idyllic beachside apartment. Puig then carefully draws the reader into this mystery, dropping clues as to where the daughter is, as . . . continue reading, and add your comments
Since I’m guessing most people who read this blog don’t read in Spanish, I’m going to dwell for a second on this response from the Javier Marias interview I linked to on Wednesday: . . . continue reading, and add your comments
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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