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The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


  • A Treatise on Shelling Beans by Wiesław Myśliwski March 9, 2014
    A man enters a house and asks to buy some beans, but we aren’t given his question, only the response: humble surprise from the narrator and an invitation inside. This modesty, though it remains at the core of the narrator throughout, is quickly overwhelmed when his questions, his welcoming explanations, flow into an effort to tell his whole life story, from […]
  • The Gorgeous Nothings by Emily Dickinson, edited by Marta Werner and Jen Bervin March 9, 2014
    The Gorgeous Nothings, the dedicated work of visual artist Jen Bervin and author Marta Werner, presents in large format the first full-color publication of all fifty-two of Emily Dickinson’s envelope writings. As such, it opens up an aspect of her craft that suggests she was, in the so-called late ecstatic period of her career, experimenting with creating te […]
  • The Mehlis Report by Rabee Jaber March 9, 2014
    The Mehlis Report follows the architect Saman Yarid on his daily perambulations around Lebanon's capital, where his memories of the city's past and his observations of the high-rises that have emerged from the ruins of the nation's civil war dominate the faint plot. But the book transcends Beirut: Jaber writes about what is left behind when pe […]
  • The Fiddler of Driskill Hill by David Middleton March 9, 2014
    Middleton’s sensibility as poet and man is thoroughly Christian, Southern (or rather, Louisianan), and traditional, but he’s no unreconstructed romantic Rebel reliving the Civil War. His manner is meditative and elegiac, not rancorous or redneck. In a rare useful blurb on the back of the book, the North Carolina poet and novelist Fred Chappell describes Midd […]
  • The Fata Morgana Books by Jonathan Littell March 9, 2014
    After The Kindly Ones, the nine hundred-page long Goncourt Prize-winning “autobiography” of a Nazi, fans of the Franco-American writer Jonathan Littell may heave an inward sigh of relief at the sight of The Fata Morgana Books. A slim collection of “studies” (as some of these stories were called in their original French incarnations), The Fata Morgana Books n […]
  • Novelty: A History of the New by Michael North March 9, 2014
    There is no better way to ensure the early demise of a form or a style than to proclaim its newness; fewer epithets are as old as “new.” A well-known work by Italian artist Maurizio Nannucci reads, “All art has been contemporary”—we may wish to amend it, for present purposes, and have it read, “All art has been new.” Yet surely this is something of a truism. […]
  • A Life Among Invented Characters: A Tribute to Mavis Gallant March 9, 2014
    Two things immediately come to mind when remembering Mavis Gallant: her unique sense of humor—stories always told with a wry half-smile—and her near-comical stonewalling when confronted with leading questions about her craft in interviews and with audiences. The first time I was in her simple three-room apartment on rue Jean Ferrandi, a mere three blocks fro […]
  • The Guy Davenport Reader March 9, 2014
    Poet-critic. Think of that word, made of two—what a beaux construction. The first is wild, hair mussed, looking at a bird in a tree—yet the follower is practical, urbane, and seemingly obeisant to word counts. Together they bleach out the fusspot academic and appeal to logos—Davenport once said that he was “not writing for scholars or critics, but for people […]
  • [SIC] by Davis Schneiderman March 9, 2014
    In 2011 Andrew Gallix, in the Guardian, wrote a piece on unread difficult books, and mentioned “an anthology of blank books [edited by Michael Gibbs] entitled All Or Nothing,” and we can consider Blank as continuing that line. Kenneth Goldsmith’s prefatory essay “Why Conceptual Writing? Why Now?” in Against Expression: An Anthology of Conceptual Writing (201 […]
  • The Ben Marcus Interview March 9, 2014
    I do tend to generate a lot of pages when I’m drafting something, and I cut as I go. I make strange noises out of my face, on the page, and they are for the most part not worth keeping. Some of the stories don’t take shape until I overwrite and pursue every cursed dead-end I can think of, which clarifies everything I don’t want the story to become. But I don […]

Publishing Literature Is Publicizing Literature

I see M. Lynx Qualey’s point, but I think this is a little off-base. The word “publish,” after all, includes the definition “to make public announcement of” and “to disseminate to the public” (which leads many authors to quip that they’ve been “privished” when their book is buried in a publisher’s list).

In other words, any publisher who is doing right by his or her work should do exactly what Quayley is asking for. It should be a built in part of their business. And, in fact, good publishers do all the things (or at least as . . . continue reading, and add your comments

Who Cares If Literary Criticism Is An Art or a Science

It’s nice to see some intelligent attention being directed at Franco Moretti’s work.

That said, I don’t agree with the premise of Joshua Rothman’s piece at The New Yorker.

Should literary criticism be an art or a science? A surprising amount depends on the answer to that question. If you’re an English major, what should you study: the idiosyncratic group of writers who happen to interest you (art), or literary history and theory (science)? If you’re an English professor, how should you spend your time: producing “readings” of the literary works that you care . . . continue reading, and add your comments

On The End of Love

Over at Three Percent, I explain why Marcos Giralt Torrente’s The End of Love should take the Best Translated Book Award. In all honesty I think this book may be a bit of a longshot because short books (in particular short books of stories) tend not to be taken as seriously as they could be, but it is good to have his name out there. As I explain in the post, there’s more Torrente on the way, and I do think there will be more for years to come.

Fun fact: in researching this piece I . . . continue reading, and add your comments

Geoff Dyer’s Stroke

Had no idea of this.

Then, only ten days into our new life, I bent down to push some rubbish into the already stuffed bin. When I stood up half the world had disappeared. It had disappeared but it was still there, sort of. The kitchen wall was visible but it didn’t seem quite right: familiar but changed, as happens in dreams. Ah, now here was something I recognised: a strip of brown wood against the pale yellow wall. It was the frame of the mirror: I was looking into a mirror but, like a vampire, I . . . continue reading, and add your comments

The Lydia Davis Assignment

For JC Hallman’s contribution to the Lydia Davis Symposium, I pretty much said, “write whatever you want on whatever you want.” It’s not a thing I’d make a habit of, but I felt fairly confident in giving a Guggenheim recipient with an abiding interest in creative criticism a little room to maneuver. And I think the results speak for themselves.

The Stupid, It Burns

I know the Internet is all about pumping out the most mind-deadeningly contrarian material possible so as to rack up the hate-hits, but for the love of god. Really, New York Times, exercise a little god-damned sense. From the very first sentence this thing screaming “pre-pubescent geek on a power trip running off to the basement with him mom’s computer.”

Paper books are an increasingly archaic relic not long for the world. Consider the fuel consumption alone behind the production of paper, the printing of books and the transporting of these books to bookstores worldwide. If the . . . continue reading, and add your comments

A History of Newness

Novelty: A History of the New by Michael North was a pretty fascinating read. Basically, North tries to explain various ideas of “newness” in the arts and philosophy, from Ancient Greece to the modernists. His view is that Parmenides gets the first word, and then there are periodic shifts around some fairly well-defined poles. Interesting stuff.

North begins his study by taking us all the way back to Parmenides, to show how entrenched the notion of invariance is in the history of philosophy. Later philosophical developments in antiquity, as North tells it, relegated novelty to . . . continue reading, and add your comments

The Gray Notebook by Joseph Pla

Excerpted at The Paris Review. Available April 8, from NYRB Classics.

3 November 1918, Sunday. Spent with friends. Piera the tailor, Bonany, et cetera. I walk up to Sant Sebastià. A beautiful afternoon. The sinuous ribbon of road draws the loveliest afternoon light. I hear someone chopping wood in the distance. A donkey brays in a remote spot. A black-and-white magpie jumps over the green alfalfa. When I walk past Ros, I think, as I always do: I wish I owned Ros, the vineyard and the pinewood. By the hermitage, total solitude. Opposite Calella, boats—bobbing like . . . continue reading, and add your comments

Leg over Leg

One of the cool things about the Best Translated Book Award is that it brings my (and others’) attention to books like Leg over Leg. You can certainly gripe about the way awards work, things that get left off the longlist, etc, etc, but I’m fairly certain that people are reading this book because of the BTBA (I know I am, and I doubt I would have been reading it otherwise).

In case you’re wondering, this is a bilingual Arabic/English book printed in four volumes by an academic press. Oh, and it was originally published in . . . continue reading, and add your comments

Discussing The Notebooks of Malte Laurids Brigge

On the Burning Books podcast I’m interviewed about Rilke’s amazing, bizarre, poetic, brain-rearranging novel The Notebooks of Malte Laurids Brigge.

It’s a book you do not want to miss.