Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

For low prices on Las Vegas shows visit ShowTickets.com

Recent Posts

[→YD Recent Posts Widget]

You Say

Shop though these links = Support this site

Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

Almost Never Reviews

Almost Never is getting some pretty good coverage. The New York Times gives a rare translation review to it.

What is so daring here? It’s not Sada’s depiction of the Madonna-whore complex, nor his take on the delusions of a Mexican macho — although both make for delicious burlesque. What’s new is the voice, and Sada’s glorious style. Katherine Silver pulls off the near-­impossible feat of translating the cacophony of thoughts, interjections and slang rattling around Demetrio’s fevered brain, not to mention the continual asides of an arch narrator. Here is Demetrio attempting to write . . . continue reading, and add your comments

Big Read Prizes

I’m going to be posting a schedule for our Naked Singularity Big Read soon (it’ll be starting in June). But for now, something else: prizes—namely, 4 copies of the original Xlibris Naked Singularity POD book, signed by De La Pava himself. I’m still working out just how these will be given away, but it will be in conjunction with the read.

I don’t know exactly how much these are worth, but I do know that if you look up the book on Amazon, eBay, and AbeBooks, there is nary a copy for sale, much less one signed . . . continue reading, and add your comments

The New Canon Will Be Incremental

Agreed.

For decades now, the most prominent place in our literary canon has been awarded to the monolithic novel, a work that attempts to give the impression of containing all topics within its pages. Modernist epics like Ulysses or The Magic Mountain set out to create total pictures of their world, or at least capture in art (momentarily) the unity that seemed so lacking beyond the domain of literature. Even the generations of large postmodern novels following in that wake, from The Recognitions onward, seem to champion and pursue that unity while simultaneously avowing its impossibility.

Maybe . . . continue reading, and add your comments

Femicide Machine

Interesting new book from Semiotext(e): The Femicide Machine by Sergio González Rodríguez (part of their valuable “Interventions” series).

It’s a cultural investigation of sorts into the murders of hundreds of women in Ciudad Juarez, which Bolano built 2666 around. Interesting, González Rodríguez appears in 2666 at the journalist investigating the murders (and he also appears in Javier Marias’ Dark Back of Time).

Seems to be an interesting work. Flipping through, I discovered this gem of the grotesque:

In 2010, the U.S.-based cosmetics company MAC introduced a new line inspired by the murdered women of Ciudad . . . continue reading, and add your comments

Ebooks: Catastrophe or Opportunity?

While I was at Blue Met last week, Chad had some interesting things to say about how Amazon selling ebooks at $9.99 was something that publishers could definitely make a profit off. He was making a lot of sense—basically that at 70% of $9.99, publishers would be earning more per ebook than they’re currently getting per print book.

But now Jason Epstein says this at the NYR Blog. So, would be interested in seeing Chad’s rebuttal.

The problem began when Amazon set out to charge $9.99 per e-book download, considerably less than it was paying publishers . . . continue reading, and add your comments

One of the Few Things that Could Interet Me in Martin Amis

TQC contributor Morten Høi Jensen on Amis at LARB:

MARTIN AMIS HAS ALWAYS BEEN a casualty of his own biography. Every new book comes swathed in literary gossip or literary scandal to do with his father, his teeth, his divorce, his politics, his agent or his friends. The recent publication in England of Martin Amis: The Biography by Richard Bradford (a jangling heap of bad writing and factual inaccuracy) doesn’t actually tell us anything new: we know it all already. Born in 1949, the son of novelist Kingsley Amis, handsome Martin with his furrowed brow and energized . . . continue reading, and add your comments

On the Perils of Social Reading

Good answer.

How has reading become more social for you?

It hasn’t.

I have a friend who “skims” books by turning on the popular highlights feature in Kindle and only reading those. It works for her, but to me that’s the death of reading.

Reading is a bootcamp for developing and exercising critical thinking. Without that — intellectual apocalypse! And critical thinking is about developing a point of view, and all writing is — or, should be — about arguing a point of view, implicitly or explicitly. When you bring the crowd into the equation, this concept . . . continue reading, and add your comments

Strong Sales for A Naked Singularity

I think anyone who follows this blog with any regularity knows that A Naked Singularity, just released by the University of Chicago Press, began its trip from self-published book to local bestseller thanks to Scott Bryan Wilson’s TQC review.

Local bestseller? you say. Correct. I’ve now learned that the novel has debuted as the sixth bestselling title at Chicago independent bookstore The Book Table. And given that it takes sixth place behind soft-core pornography for suburban housewives and two prestige titles from large New York presses—i.e. titles it’ll be all-but-impossible to beat—I’m essentially calling this . . . continue reading, and add your comments

Javier Marias Praises Lady Chatterley’s Brother

Over the weekend on Swiss radio, Javier Marias praised Lady Chatterley’s Brother, the ebook that Barrett Hathcock and I wrote about sex int he literature of Nicholson Baker and Marias. (You can read excerpts and buy it direct from this site for $2.99 here, or an Amazon here.)

The interview was in German and Spanish (Marias spoke in Spanish, the host in German) and you can listen to it here. They discuss Lady Chatterley’s Brother right around minute 36.

The second book in this series is finished and will be a collaboration between myself . . . continue reading, and add your comments

The Walk by Robert Walser

Can’t write too much at the moment because it’s been a busy few days, but. I’ve read a lot of Walser. I thought I had a pretty good idea of what Walser was capable of. And then, The Walk. Very, very much like Walser on acid. I’m calling it a fever dream right now. It is baroque and hilarious and ironic as fuck, although also as profoundly whimsical and melancholy as anything I’ve read of Walser. Any way you split it, it’s an amazing little book. Definitely read this.

Reading it is kind of like walking through . . . continue reading, and add your comments