Recent Posts

  • Things and other things that shouldn’t meet August 1, 2010
    The value of things. […]
    Jeff Waxman
  • Q: What Says Francis Fukuyama like a Dead Squirrel in Tartan? August 1, 2010
    From Paper Cuts, we learn of The End of History, a 55% ABV beer infused with juniper and highland nettles that was inspired by Fukuyama's well-known essay of the same name. […]
    Jeff Waxman
  • Markson in Circulation August 1, 2010
    Thousands of David Markson’s books–from the man’s personal library, and with his extensive annotations–are for sale at The Strand.  “David wanted the books recirculated . . . . And really, if you face it, a university library, what are they going to do with them? They end up storing them. I think he [...] […]
    Jeff Waxman
  • Printers’ Ball in Chicago Tonight August 1, 2010
    Don't miss your chance to snatch up lots of free magazines and journals from small presses in Chicago and around the country at the Poetry Foundation's Printers' Ball tonight at Columbia College. […]
    Carrie Olivia Adams
  • Amazon drops prices and Galleycat snarks August 1, 2010
    Amazon is supposedly dropping the price on the Kindle to $139. The folks over at Galley Cat are not impressed. Even worse for Amazon, even less is Seth Godin. […]
    Soo Jin Oh

Shop at Amazon though these links and this site gets a kickback.

Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

Starting Sept 19, read one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • How Jeanette Winterson Makes Fiction
    Winterson has always told and retold the same fictions: of parents and children; of origins, and adoptions; of differences, of margins; of love; of passion; she has always manipulated rhythm and language as an excavation of sources. Much of her fiction mirrors what we know of Winterson's own story, but she agitates against the idea that her work has to […]
  • Inveterate and Unrepentant Book Collecting: A Guide to My Favorite Contact Sport
    It's difficult to pin down exactly why books as objects mean so much to me. I wasn't alive when William Goyen's excellent Come, The Restorer was published, but owning an original printing with the dust jacket—as it would have been purchased at the time of its release—makes the book more special to me than some beat-up paperback rei […]
  • The Master of the Not Quite: The Broken Estate: Essays on Literature and Belief by James Wood
    Wood can be harsh, yes, but he is seldom unfair. Wyatt Mason was wrong to accuse him of having suggested, by dint of a string of negative reviews, that no good contemporary literature exists. (He has written favorably of McEwan, Bolaño, Robinson, Ozick, Kirsch, Sebald, Roth, Saramago, Swift, Carey.) He never simply dismisses a writer (in the manor of, s […]
  • A Warehouse with an Epic Scope: Entrepôt by Mark McMorris
    To say that Mark McMorris's Entrepôt is about writing poetry is to do a huge disservice to this beautiful and penetrating book, whose ostensible subject of contemplation is how to live, love, and make do in a time of war, if not cultural crisis. On the other hand, the book's greatest service, at least to my eye, is in its exploration of just w […]

Perec's Unfinished Books

Perec’s Unfinished Books

Even wonder what Georges Perec would have written if he hadn’t died of cancer at 45? At Words Without Borders Laird Hunt gives some idea of literature’s loss:

In December 1976 Georges Perec, who wrote, both copiously and brilliantly as it occurred, put a remarkable document into the hands of Paul Otchakovsky-Laurens, founder of the wonderful independent French house P.O.L. In it, Perec had set down not just the works he was in the process of writing and/or would write, but also those he planned to write and wouldn’t. . . .

What was in this document? A partial enumeration will give a sense. Among the projected works Perec did complete were the famous jigsaw novel, Life A User’s Manual, and Je me souviens, Perec’s volume of “banal memories, belonging to all”, which was based on Joe Brainard’s noted I Remember tryptich. Among the projected works Perec did not complete were The Book of 2000 Sentences, a novel composed of the 2000 most common sentences in the French language; The Novel of the 19th Century, which would create a narrative quilt of excerpts taken from an anthology of classics like Chateaubriand, Stendahl and Zola; another “big book”, The Tree – the story of Esther and her Brothers, which was to have taken the form of a biographical dictionary and an exploded family tree; and additional translations of the vertiginous work of a fellow Oulipian, the American Harry Mathews.

It’s interesting to note that Rex by Jose Manuel Prieto somewhat follows on in Perec’s footsteps. In books like Life: A User’s Manual Perec created something along the lines of a “narrative quilt” by working in quotations from great works of literature, without quotes or attribution. Something similar happens in Rex, though Prieto does bold the quotes so you know they’re not his words per se. The narrative conceit for the introduction of these quotes in Rex is that the narrator thinks they’re all from Proust, though of course they aren’t. (An afterword lays out the sources, though it’s also fun to guess while you’re reading.) This has some affinity with Perec, as you can read the “Proust” character in Rex as something akin to “literature.”

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