talking about the huge fall title, Parallel Stories. It's still months till November, but FSG is already getting the Peter Nadas Parallel Stories publicity engine moving. Up on their blog, Work in Progress, they've got an interview with the author." />

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Life Pereccalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

Spring 2011 Group Read

Life Perec

Spring Read: Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

For low prices on Las Vegas shows visit ShowTickets.com

You Say

Shop though these links = Support this site

Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


Group Reads

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

  • The Flame Alphabet by Ben Marcus March 5, 2012
    With his second novel, The Flame Alphabet, Ben Marcus has diverged from the path he trod while becoming one of America’s best-known experimental fiction writers. He’s written a plague fantasy told in first-person by a middle-aged, Jewish husband and father living in the suburbs. It is cold and coherent in its execution, with one narrator and a clear plot, an […]
  • War Diary by Ingeborg Bachmann March 5, 2012
    Bachmann famously described the entry of Hitler's troops into Klagenfurt as the end of her childhood. From these pages, though, it isn't clear what immediately followed. Here she seems to exist in a liminal zone between self-determination and powerlessness: she has worked out tactics of flight, but not full resistance or solidarity with others. Thi […]
  • Us by Michael Kimball March 5, 2012
    Michael Kimball’s novella Us originally appeared in the U.K. under the title How Much of Us There Was. Tyrant Books has now brought it out in the United States, where Kimball was born and lives, and his website lists the widespread praise that the book has received. Here are but two of the many accolades: “disarmingly simple, gorgeously structured, and as ac […]
  • The Beautiful and the Damned by Siddhartha Deb March 5, 2012
    Since embracing economic reforms in the early 1990s, India has undergone swift and wrenching changes that are remaking the country from the ground up. As village and farmland give way to tech companies, call centers, factories, and malls, these new landscapes are increasingly peopled by new archetypal characters, much as the similarly radical transformation […]
  • The Letter Killers Club by Sigizmund Krzhizhanovsky March 5, 2012
    The first English-language publication of Krzhizhanovsky’s fiction would not follow until 2006, three quarters of a century after its conception. His extensive repertory consists principally of short stories, of which there are more than one hundred, as well as five novels. The first of these novels selected for English translation (by Joanne Turnbull) and p […]
  • Zona by Geoff Dyer March 5, 2012
    Now we have Zona, Dyer’s book-length explication of the film that he has been mulling over in print for more than a decade. Like the film’s journeying hero, who devises his route by randomly tossing bolt nuts and trudging after them, he’s taken his time getting to the point. But the end result is revealing; despite its critical trappings, Zona reads like a p […]
  • Remaking the Short Story: Four Untranslated Authors from Spain March 5, 2012
    Authors of what’s called the New Spanish Short Story have had a great burst of creativity that began in the early 1980s and flowered during the 1990s and 2000s (the few stories that have been translated have been relegated to obscure editions unavailable in the United States). From the stories of the fantastic by Cristina Fernádez Cubas to the structural inv […]
  • Dogma by Lars Iyer March 5, 2012
    A lecturer in philosophy at the University of Newcastle upon Tyne, Iyer is the author of Spurious—which won The Guardian’s “Not the Booker Prize” last year—and, now, Dogma, a sequel to the previous work. Both books are novels in name only—bookstores require these convenient taxonomies. In reality Iyer has written scabrous philosophical comedies about two men […]
  • Mercè Rodoreda and the Style of Innocence March 5, 2012
    The Autonomous Republic of Catalonia now holds up Mercè Rodoreda as a national treasure. Barcelona offers commemorative sculptures, libraries, gardens in her name; government-supported institutes sponsor conferences and translations; a yearlong festival marked her 2008 centennial. Her international champions include Gabriel García Márquez. Apart from two rec […]
  • The Clarice Lispector Roundtable March 5, 2012
    Barbara Epler: The whole Lispector re-launching began innocently enough: our plan had been to bring out a new edition of The Hour of the Star in the old Pontiero translation with an ardent Colm Tóibín preface. (With a backlist of our size—about 1,100 titles from 75 years of publishing—we are always trying to repackage classic backlist to reach more readers.) […]

Peter Nadas Interview

Last week I was talking about the huge fall title, Parallel Stories. It’s still months till November, but FSG is already getting the Peter Nadas Parallel Stories publicity engine moving. Up on their blog, Work in Progress, they’ve got an interview with the author.

Here’s an interesting exchange:

Károlyi: You wrote an article called “Structure and Plot Patterns in Parallel Stories,” in which you formulated the creative problem at the crux of the novel. You wrote: “I could no longer escape the thought that prose writing actually works as the maid-servant of causal thinking.” Your aim was “to write the stories of people who can’t ever have met, who have only a very superficial knowledge of each other, and yet interfere most profoundly with each other’s lives.” I can see that your characters are intertwined even more closely than that, though, and still, the whole thing does not fall to pieces or become chaotic. As if the plan had been more radical than its realization. And in any case the reader will insist on deciphering on a causal basis, no matter what.

Nádas: And they will succeed, too. I try to leave open the points that offer clues for this deciphering. Not in all cases, though.

We constantly strive to control the effect of our words or actions. The question is what sort of qualities this effort produces in other people. I have no guarantees concerning the perceptions of others. I tried to take all of this into account when I created connections between the different people, plot lines, or historical periods.

And then some systems are identical, others are similar, and yet others are different. We can say that people act along similar or even identical lines because they had similar upbringings or are constitutionally alike. And there are also differences according to these criteria—when, for example, you do something or other not because that’s the way you were socialized, but because you’re going against your socialization, following your instincts, or acting upon

your convictions. People can have direct and strong interactions; there are cases of both direct and indirect impact: when A has influenced B but does not know C, who was influenced by B, then, although A doesn’t know it, he or she actually influenced C. A causal relationship always tries to stick to being unequivocal, but I tried not to lose sight of the multivalence of things. This naturally yielded structures that no longer fit into the structure of causal thinking. Naturally, causation isn’t entirely absent but it falls into a totally different context or exists in a different space from the start.

You Might Also Like:

More from Conversational Reading:

  1. Just How Big Is Peter Nadas’ Parallel Stories? Hungarian author Peter Nadas wrote one of my faovrite novels in recent memory: it was A Book of Memories, published in English translation in 2008...
  2. The Problem with Quoting Peter Nadas I’m not sure if A Book of Memories is representative of Peter Nadas’s work, but if it is then this author is difficult to quote...
  3. Mitchell Interview David Mitchell, on why he chose to make his fourth novel about a 13-year-old boy: OK, I wanted to map what I think is an...
  4. Richard McCann Interview Richard McCann is the author of Mother of Sorrows, a wonderful, quiet collection of interlocking short stories that describe the coming-of-age and subsequent life of...
  5. YFTS: Margaret Jull Costa Interview MJC: The long sentence that is so characteristic of Javier’s style first occurs in The Man of Feeling. The sentences and the novels have grown...

Related posts brought to you by Yet Another Related Posts Plugin.

2 comments to Peter Nadas Interview

  • Neil Griffin

    Everybody seems so excited about this release. It makes me want to read Book of Memories now so I’m ready for the new one, but that would be a whole lot of Nádas for a year.

  • I appreciate how much you have focused on Parallel Stories, I sure look forward to reading it. Did you request for a review copy?

Leave a Reply

  

  

  

You can use these HTML tags

<a href="" title=""> <abbr title=""> <acronym title=""> <b> <blockquote cite=""> <cite> <code> <del datetime=""> <em> <i> <q cite=""> <strike> <strong>