The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
Available now from Amazon, Barnes & Noble, and direct from this site:
Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
|
Shop though these links = Support this site
|
Reading In an Age of Literary Overprodution
The complete review reviews a book that considers the reader’s place in a culture that publishes far more than anyone could hope to read in several lifetimes.
After reading one hundred, one thousand, ten thousand books in a lifetime, what have we read ? Nothing. To say "I only know that I’ve read nothing," after reading thousands of books, is not false modesty. It is strictly accurate, to the first decimal place of zero percent.
I think this is a subject worth exploring, as we are in a completely different league nowadays with regard to the number of books there are to read. As the complete review points out, the author contrasts the increase of writing with the decrease in reading:
Publishing is a standard part of establishing an academic or bureaucratic career. It is like writing the necessary reports or properly filling out the forms required to enter a competition. It has nothing to do with reading or writing. Reading is difficult, it takes time away from the pursuit of a career, and it doesn’t gain anyone points except in lists of works cited. Publishing is a means to an end. Reading is useless: it is a vice, pure pleasure.
Based on the review, this book sounds like a pretty good first look at this topic, but sure it’s only beginning to raise some of the questions at stake here.
Perhaps this is the inevitable conclusion.

You Might Also Like:
More from Conversational Reading: - Summer Reading We in the Northern Hemisphere are edging closer and closer to the summer months (you can tell the Bay Area is making its seasonal run...
- Tomorrow's Literary Stars Apparently, they all write the same. At least the ones you’ll find in Best New American Voices 2006. Anyone care to know why? ...
- Reading Makes You A Better Person Dan Green takes on one of his favorite arguments, that of the value of literature in making you a better person. Blaustein would like to...
- Friday Column: A Literary World Map Two simple questions: Wikipedia lists 243 countries in the world. How many countries have you read books from? (I can think of one man who’s...
- Literary Censorship in Iran The Guardian: There was a time when great Persian poets such as Hafez, Rumi or Khayyam were present in people’s daily lives, permeating their speech...
Related posts brought to you by Yet Another Related Posts Plugin.
Leave a Reply
|
Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
|
I often wonder whether there’s a point to writing more given the quantity of what’s already out there.
This book looks interesting; I’ve just ordered it from Amazon.
好秘书 中国呼吸网 肿瘤网 癌症康复网
Based on the review, this book sounds like a pretty good first look at this topic, but sure it’s only beginning to raise some of the questions at stake
中国皮肤网 哮喘 支气管炎
Based on the review, this book sounds like a pretty good first look at this topic, but sure it’s only beginning to raise some of the questions at stake
The books and the ideas look very interesting. Seems like it could probably be paired with Pierre Bayard’s recent book on the virtues of non-reading, “How to Talk About Books You Haven’t Read.” Bayard raises similar kinds of conundrums.
Still–based simply on the reviews–I wonder whether this is overplayed a bit. People have been complaining that too much is being written to actually read for centuries if you look back. In some sense, we might say the sense of impossibility, of always beginning at the beginning, is a constitutive feature of reading as such. At least, certainly, since Gutenberg, but perhaps before.