The End of Oulipo?

The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide. The End of Oulipo

Lady Chatterley’s Brother

Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series, Lady Chatterley's Brothercalled “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.

Available now from Amazon, Barnes & Noble, and direct from this site:


Translate This Book!

Ever wonder what English is missing? Called "a fascinating Life Perecread" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.

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    I'm surprised to learn Andres Newman is so young. Also, great overview of his books in English. Andrés Neuman is... »
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    Issue 38 right here. or TOC after the jump. Features Readings, Fragments,... »
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Group Reads

The Tunnel

Fall Read: The Tunnel by William H. Gass

A group read of the book that either "engenders awe and despair" or "[goads] the reader with obscenity and bigotry," or both. Info here. Buy the book here and support this site.

Naked Singularity

Summer Read: A Naked Singularity by Sergio De La Pava

Fans of Gaddis, Pynchon, DeLillo: A group read of the book that went from Xlibris to the University of Chicago Press. Info here. Buy the book here and support this site.

Life Perec

Life A User's Manual by Georges Perec

Starting March 2011, read the greatest novel from an experimental master. Info here. Buy the book here and support this site.

Last Samurai

Fall Read: The Last Samurai by Helen DeWitt

A group read of one of the '00s most-lauded postmodern novels. Info here. Buy the book here and support this site.

Tale of Genji

The Summer of Genji

Two great online lit magazines team up to read a mammoth court drama, the world's first novel.

Your Face Tomorrow

Your Face This Spring

A 3-month read of Javier Marias' mammoth book Your Face Tomorrow

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Ten Memorable Quotes from William Gaddis’ Letters

New Books
Here are ten of my favorite moments from these hugely interesting letters.


Interviews from Conversational Reading

New Books
See this page for interviews with leading authors, translators, publishers, and more.


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    Lance Olsen is the author of two recent works, [[there.]] and Theories of Forgetting (FC2). The second presents three narratives in a clearly fictional mode while the first offers day-to-day thoughts on living in another country. We rightly suspect that any artist’s memoir or diary ought to be viewed as written with a prospective public in mind, no matter ho […]
  • Noir and Nihilism in True Detective December 15, 2014
    "It’s just one story. The oldest. . . . Light versus dark." Spanning 8 episodes between January and March of 2014, HBO’s runaway hit True Detective challenged the status quo of contemporary crime drama. The show has been widely celebrated for its philosophy, complexity, and visual aesthetic. Co-starring actors Matthew McConaughey as Rustin "Ru […]
  • The Colonel’s World December 15, 2014
    Mahmoud Dowlatabadi (born 1940) is considered by many the living Iranian novelist, a perennial Nobel Prize candidate. Dowlatabadi wrote The Colonel some thirty years ago, because in his own words he had been “afflicted.” The subject forced him to sit at the desk and write nonstop for two years. “Writing The Colonel I felt a strong sense of indignation and pa […]
  • Mr Gwyn and Three Times at Dawn by Alessandro Baricco December 15, 2014
    Alessandro Baricco’s well-crafted, elegant prose seems as though it should create the impression of distance, or of abstraction; instead, the reader of Mr. Gwyn and Three Times at Dawn becomes wholly implicated and immersed, drawn into a dreamy and idiosyncratic world that blurs the division between reader, character and writer. As readers, we expect that th […]
  • The Walls of Delhi by Uday Prakash December 15, 2014
    "The paan shop leads to the opening of a tunnel, full of the creatures of the city, and the tears and spit of a fakir." In a single opening line, Uday Prakash sets the scene for the politically incisive, yet intimately human stories of The Walls of Delhi (translated brilliantly from the Hindi by Jason Grunebaum). Lest the fakir suggest otherwise, t […]
  • The Man Between: Michael Henry Heim and a Life in Translation December 15, 2014
    In a speech reprinted in the book, Heim makes a self-deprecating joke about whether the life of a translator is worth reading: “What does a translator do? He sits and translates!” The Man Between serves as a book-length retort by laying bare all the things Heim did: these include persuading the academy that translation is a scholarly (in addition to a creati […]
  • The Prabda Yoon Interview December 15, 2014
    Yes, I think people are not comfortable anymore to write in this straightforward, traditional way, especially the younger, more progressive writers. So it’s interesting—you have social commentary, and you also get a little bit of structural experiment. You have themes that are very, very Thai. I’m actually very interested to see what new writers will come up […]
  • The End of Days by Jenny Erpenbeck December 15, 2014
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  • In the Heart of the Heart of the Country by William H. Gass December 15, 2014
    Once, at a writers symposium, William Howard Gass remarked that to substitute the page for the world is a form of revenge for the recognition that "you are, in terms of the so-called world, an impotent nobody." There is inarguably no contemporary writer of American stock in whose work one might locate a more ambitious war of attrition between innov […]
  • Faces in the Crowd by Valeria Luiselli December 15, 2014
    Luiselli’s first novel, Faces in the Crowd, translated into fluid English by Christina MacSweeney, is the perfect illustration of this attitude toward fiction writing. Narrated in short sections spanning multiple storylines and the better part of one hundred years, it uses "[d]eep excavations" to expose the empty spaces in two lives, those of a you […]

Reviewing First-Time Books

I don’t really think this is an “ethical” practice (or at least not any more than its opposite), but it does seem to be an interesting twist on the “we only publish positive reviews” idea. Although, it’s unclear precisely what the LARB’s policy is. Where is the line between “constructive critique” and “reviewing positively”? Surely most first-time writers would benefit from honest feedback from competent critics. If the critic ultimately sees the book as a failure, then the constructive critique would not be run?

The Los Angeles Review of Books has a policy, which the editor Evan Kindley divulged in a Twitter back-and-forth on Friday, of reviewing first books positively or not reviewing them at all. The rationale behind the policy, Kindley explained, is “That most authors’ careers fade away on their own, and that it’s easy and not that interesting to eviscerate first-timers.” He allowed that the LARB “might make exceptions for insanely hyped debuts” like Chad Harbach’s The Art of Fielding, and would “certainly run a constructive critique of a first book.” But it’s only fair—“ethical” was his word—“to give writers a grace period.”

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  1. Book Reviewing According to the Lit Saloon, there’s a provocative piece in book reviewing in The New Republic. Of course critics should review books rather than personalities...
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  3. Online Book Reviewing Well, the British newspaper spat over "online book reviewing" has (predictablly) become an attack on litblogs. The Literary Saloon takes a far more measured tone...
  4. Reviewing Vollmann and David Mitchell's Ugly Cover It's been an interesting week over at The Constant Conversation. We've got an interesting discussion of Vollmann's writing going on after John Lingan critiqued Pico...
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3 comments to Reviewing First-Time Books

  • P.

    May I just suggest that this whole issue with taking it easy on certain writers, or not writing too obviously vituperative reviews of this or that book for whatever reason, is not in the least a new issue? http://harpers.org/archive/1959/10/the-decline-of-book-reviewing/ — Elizabeth Hardwick: “The flat praise and the faint dissension, the minimal style and the light little article, the absence of involvement, passion, character, eccentricity—the lack, at last, of the literary tone itself—have made the New York Times into a provincial literary journal.” Sound familiar?

  • Sawn

    What are reviews supposed to be for? So that the reviewer can buld a network of chums who will scratch their back in turn? Or to give book readers and buyers an accurate account of a book’s quality?
    From reading a a large number of reviews on LARB I get the impression that their philosophy is more the former. Now and then they present a review or article by a reputable author, but most of the reviews on that site are by unknown people and many are completely untrustworthy. Really most articles there read like some nerds jerk off session. Most recently I purchased the novel Woke Up Lonely by Fiona Maazel based upon a glowing review there and the book turned out to be pretty lousy.
    I find it more important to read reviews by critics in whom I have built up trust because they consistently have opinions I respect. I like Ron Charles at the Washington Post even though I am not always interested in all the books he likes. And well obviously I like this site. Why no one has hired Mr. Esposito as a full time writer is beyond my understanding. Well I guess other than that there are now so few newspapers with permanent crtics.

  • Tom

    Sawn, I think you’re being too harsh on LARB. “Some nerds [sic] jerk off session” doesn’t do justice to the range of essays they publish, many of which are quite insightful. Also, who cares if the review is written by “unknown people?” As long as it’s intelligent and well-written, it should be taken seriously. Literary culture is not just about the big names…that’s a good way to fall into elitism and arrogance. Finally, even “reputable” authors and critics scratch each other’s backs more often than we’d like.

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