The End of Oulipo? The End of Oulipo? My book (co-authored with Lauren Elkin), published by Zero Books. Available everywhere. Order it from Amazon, or find it in bookstores nationwide.
Lady Chatterley’s Brother Lady Chatterley's Brother. The first ebook in the new TQC Long Essays series,  called “an exciting new project” by Chad Post of Open Letter and Three Percent. Why can't Nicholson Baker write about sex? And why can Javier Marias? We investigate why porn is a dead end, and why seduction paves the way for the sex writing of the future. Read an excerpt.
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Translate This Book! Ever wonder what English is missing? Called "a fascinating  read" by The New Yorker, Translate This Book! brings together over 40 of the top translators, publishers, and authors to tell us what books need to be published in English. Get it on Kindle.
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Sentence as Book
Possibly inspired by the publication of Zone, Ed Park runs down some 1-sentence novels and variations thereof.
For some writers, a chapter-long sentence is eternity enough. The Swiss author Friedrich Dürrenmatt was inspired to write “The Assignment” (1986), his superbly paranoid late-career “novella in 24 sentences,” after listening to a recording of Glenn Gould playing the first 24 movements of Bach’s “Well-Tempered Clavier.” (At 129 pages, that’s an average of 5.375 pages per sentence.) Here, the constraint sets up the potential for improvisation off a single musical line, while also allowing for clean breaks. The American writer Laird Hunt consciously adapted Dürrenmatt’s method in “Ray of the Star” (2009), in which a traumatic episode shadows a shell-shocked man’s sojourn in an unnamed foreign city. The man suffers from restless leg syndrome, and the affliction’s self-engendering quality (“the greater his fatigue the more pronounced it grew”) finds a mirror in Hunt’s labyrinthine sentences.
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Recommended Books DeLillo's major work before White Noise is probably his most underrated novel. Its all right here--the politics of paranoia, terrorism, the unnamable--set in an evocative, timeless Greece.
The most bizarre Abe novel I've yet read, which is indeed saying something. About a subclass of Japanese men who go around wearing boxes from the waist up (and then use them as domiciles in the evening), the book is also an experiment in perspective shifts, a highly unstable, metafictional first-person narrative, and an exploration of voyeurism, consumerism, and aberrant sexuality.
Charting the path to three gunshots--the one that killed filmmaker Theo Van Gogh, the one that disabled his Islamic extremist assassin, Mohammed Bouyeri, and the one that led to Vincent Van Gogh’s one hundred years earlier--Olsen tells three separate stories that resonate with one another on numerous levels: the logic of extremism, the role of the dissident in Dutch society, the limits of tolerance, the purpose of the artist, the feeling of the most important five minutes of your life. Read my interview with the author.
Creatively structured, well-executed epic novel of rural South Africa from 1950 - 2000. Takes on a lot and lives up to it magnificently. Highly recommended.
A book that's an interview about the book you're supposedly holding in your hands. Creative, potent, and full of life. Just what metafiction should be. Read my post on it.
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